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Showing posts with label art house co-op. Show all posts
Showing posts with label art house co-op. Show all posts

Monday, 30 April 2012

The Map Project

Detail of my Palm Map

Sometimes work just doesn't work. You have a great idea, you know how you want to do it but for some reason it's just not right. I had this problem whilst working on my piece for the Art House Co-op's Map Project. I had, it's true, left it a little to the last minute as life generally seems to have been insanely hectic recently. However, I had a pretty clear idea what I was going to do and how I wanted it to look. But it just wasn't happening, whatever I did it just didn't work which was very frustrating. I tried changing media and technique but to no avail. So, I left it alone which is sometimes the only option (well, that or complete insanity.)

Had I still had plenty of time to work on the project I wouldn't have been so bothered but as it was I only had a very small window to complete it if I was going to meet the postage deadline. As sometimes happens in these situations I rattled off a piece of work and ended up being far more pleased with the results than with all the other failed experiments. So, here is my completed piece. I had originally intended to do a large drawn and stitched map 'of experience' incorporating images of my hands and various layers of text, image and stitch. This piece would then have folded down to 4x6 inches, as stipulated in the brief. However, things did not go according to plan but I still wanted to keep the basic idea the same; to make a personal map of experience and what is more personal than your hands?

My Map 

Detail

I began by photocopying my hand as I liked the correlation between fingerprints and map contours and the palm readers ideas about love lines and life lines and being able to tell a lot about a person from their hand. I then added washes of white paint and ink and when that was dry I began writing my experiences over where the lines in my hand would be. Some of the stuff I wrote was positive, these are the lighter areas, and some was negative, the darker, more densely written areas. I then added some stitching and cut it down to 4x6 and got it posted. Although it is not how I envisaged it I am pleased with it as it is personal and I think visually it is quite interesting.

Stitch Detail

Sunday, 8 January 2012

Stitches and Folds

Smocking sample (detail)

Way back in August last year I entered The Sketchbook Project, run by Art House Co-op in Brooklyn. Since then I've been so busy with other things that apart from occasional "I really should do that" thoughts I've not got much done on it. However, last week it suddenly popped into my head and I realised it must be getting pretty close to the deadline (it is) and I better get on with it.

The theme I chose was stitches and folds as I thought it would be a good chance to experiment and play with some different techniques. Today I have been experimenting with smocking. I've had this see-through fabric for ages and thought it would be interesting to try smocking it to see what effect the gathered fabric would create.

Taped down whilst in progress

In progress

I'm pretty pleased with how it's turned out, although it was the devil to work with. When I'd put the gathering lines in and pulled them to gather the fabric it curled all over the place and it was really hard to find the pleats, but I persevered and via the gift of masking tape I got it stitched. I just did a basic honeycomb pattern using knots rather than stitches as I thought the short threads would stand out nicely against the soft folds of the fabric. The finished sample has a lovely soft, shadowy look to it that I'm very pleased with.

Finished sample

I also made a stitched button for the front of the sketchbook, using rayon thread and a plastic ring. Time consuming but very pretty!

Hand stitched button in progress

Finished button

From the side