Friday, 16 September 2016

C-Art at Prism Arts 2016

Main Studio, C-Art at Prism Arts 2016

Rather unusually I had a relatively quiet summer, I took some time out to focus on my work and really enjoyed being in my studio and getting into my own work. I took part in Carlisle Art Fair which was a great experience for me. I met lots of interesting people, sold some work and enjoyed the whole process. Although I was tired after the show I also felt quite inspired and keen to carry on developing my practice, making it more of a priority.

Nature Climb, 2016
Katie Lock and Maddie Mould

Nature Climb, 2016
Katie Lock and Maddie Mould

Nature Climb, 2016
Katie Lock and Maddie Mould

It therefore came as a bit of a shock to the system when I came to start putting together our Prism Arts exhibition at our Paternoster Row spaces for C-Art 2016! It was one of those times when the phrase 'anything that can go wrong will go wrong' kept popping into my head. However, after a stressful week, a small amount of cursing and a lot of hard work we got the exhibition up and ready for the preview.

Drawings, John Lake, Emerging Artist (Prism Arts Studio Theatre West and Studio Arts)

Triptych, Prism Arts Creative Conversations Group

Triptych (detail,)  Prism Arts Creative Conversations Group

Prism Arts rents our studios and office space from the University of Cumbria in their Business Interaction Centre and because we're in the university's spaces we've been working with them and some of their students to provide exhibition opportunities, including a bursary which went to Katie Lock and Maddie Mould for their beautiful piece 'Nature Climb' which is hung in the stairwell of the building and we also gave our small studio to student Emeli Hartness who has created an intriguing installation based around nursery rhymes and their dark origins.

Prism Arts Studio Arts group 

Prism Arts Studio Arts group 

Prism Arts Studio Arts group 

Prism Arts Studio Arts group 

Several of the groups I work with for Prism Arts have work on show for the exhibition, including my Studio Arts group and the Wednesday Art Group at Carleton Day Centre. I find it both exciting and nerve racking installing work for exhibition, especially other people's work. I know in my head how I want to display things and how I think things should look but of course as in most aspects of real life this rarely happens and I spend a lot of time assessing alternatives.

Carleton Day Centre, Wednesday Art Group

Carleton Day Centre, Wednesday Art Group
Carleton Day Centre, Wednesday Art Group

Carleton Day Centre, Wednesday Art Group

How work is displayed is so important because it has a big impact on how viewers respond to it. I believe the work produced by our participants at Prism Arts is of a very high quality and I want to be able to show how talented these people are and that they can achieve so much more than some people expect. Giving people the opportunity to develop their creative skills allows them to find their own voice and tell their own story, rather than always having others speak for them.

Prism Arts/Tullie House: Picturing Places response work

Prism arts/St. Bede's/ Carlisle Library: Seven Stories project

Last year for C-Art several of Prism Arts artists, including myself, showed work and we had the opportunity to again this year. Earlier in the year we'd chosen the theme 'Flow' as it was nice and vague but would hopefully give a cohesiveness to the show. Not many of us exhibited this year but similarly to last year I was surprised by how well our pieces, all produced independently and without consultation with each other, fitted together beautifully. I love everything about Jan Hick's piece which embodies the theme perfectly.  I chose to show my small textile banner 'Flow: Connect' which is made from hand dyed indigo, beads and feathers and took forever to stitch!

Prism Arts artist: L-R Amanda Mudge, Amanda Mudge, Jan Hicks, Helen Walsh

Jan Hicks: Flow, Helen Walsh Flow: Connect

Flow: Connect

C-Art is on across Cumbria until 25th September with an impressive array of artists exhibiting so if you can I recommend you get out there and follow the yellow signs!

Tuesday, 30 August 2016

A Walk in the Woods

Memento III, 2016
Twigs, feather, thread, gold paint, red velvet.

As I wrote about in my last blog post, over the past couple of months I have been busy preparing for Carlisle Arts Fair. I've been able to spend some time in my studio making work and I've also had a chance to start playing around with some ideas that have been floating around in my head (and sketchbooks) for a while but which I haven't had chance to develop.

Tatting

Assemblage, detail

Assemblage, detail

One of these ideas involved working with boxes; more specifically making small pieces of work that could be displayed in boxes. I was thinking about artefacts and museum displays and the idea of making something precious simply by putting it in a box, giving it protection and status. Making some pieces exploring these ideas was going to be one of the first things I did in terms of making work for the fair.

Assemblage, 2016
Wooden box, curated objects

Assemblage, detail

I had already amassed a small collection of boxes, including a wooden box with small compartments and a lid with a clear acetate panel and so I started working with these. I curated a collection of small objects and made some small pieces of tatted lace and a cushion for it to sit on. I included several feathers as well as I wanted the boxes to fit in with the rest of my work.

Reliquary, 2016
Found wood, gold paint, fleece, feather, indigo dyed thread

Reliquary, 2016
Found wood, gold paint, fleece, feather, indigo dyed thread

Reliquary, 2016
Found wood, gold paint, fleece, feather, indigo dyed thread

As often happens, however, things didn't go exactly according to plan. I spent a full day working on my box pieces and at the end of it I felt extremely dissatisfied with everything I'd done. It can be very difficult when you've had an idea in your head for a long time and then when you finally get to try it out it doesn't work quite as you'd hoped.


Collected materials

Work in progress

Found feathers
This left me feeling rather grumpy and as Mr. Stitches was also feeling a bit grumpy we decided the best thing to do was to go for a walk. We're very lucky to live in a very beautiful part of the world and we only have to walk for a few minutes before we're out in the countryside. As we walked and talked I felt my mood lift and new ideas started creeping into my brain. I'd been collecting interesting twigs and on this walk I found some beautiful magpie feathers too and as I was walking I started thinking of new ways of working.

Memento I, 206
Twig, indigo dyed thread and fabric, feather

Memento I, detail

Increasingly I've been interested in incorporating natural materials into my work and place (in the sense of location) has been becoming more important too. I wanted to create some pieces of work that were created from the environment and that continued to explore my interest in birds, feathers and the idea of the bird as representative of the human spirit.  I've also been looking into the folklore of various cultures that see birds (and feathers as representative of birds) as surrogates for the human spirit. The druids, for instance, created cloaks of feathers as they believed this would help them channel the bird spirits which would let them get closer to the sky gods and thus be able to transcend earthly bonds.

Memento II, 2016
Twig, feathers, red velvet

Memento II, detail

When I got back to the studio I started working with the twigs and feathers I'd collected as well as threads that I'd dyed naturally. I began to develop a personal vocabulary using these materials (more of this in another post I think) and I'm really excited about how this work could develop.

Memento III, detail

Memento III, detail

Sunday, 21 August 2016

Show time preparation...

Puffin, 2016
Applique and machine embroidery on linen

After a very busy first half of the year I was feeling a little flat in terms of my own personal practice, I'd enjoyed the projects I'd been working on but I'd not had much time for my own work. I got the year off to a good start with my daily drawing, keeping it going through January and February but as time went on things started to slide, as they do, and I lost the impetus a bit.

Assemblage, 2016
Painted wooden box and curated objects

Assemblage, 2016
Painted wooden box and curated objects

Assemblage, 2016
Painted wooden box and curated objects

One Sunday a couple of months ago I was meeting Mr. Stitches at the sports centre (not my natural habitat) and I saw a flyer for Carlisle Arts Fair. I'd been looking for a project that would give me an opportunity to spend some time developing my own work and provide an opportunity to share my work with others. This seemed like a good option as it was local, I'd been to one of the previous Fairs and liked it and I'd thought about doing this show anyway. I checked the submission details and realised that it was the last day for submissions so I went home, put together my submission and sent it off.

Memento I, 2016
Thread wrapped twig, feather, hand dyed indigo cloth
Memento II, 2016
Gold paint, twig, feathers, red velvet

Memento III, 2016
Gold paint, thread,  twig, feather, red velvet

I was very excited to be accepted and since then having an event to work towards has really helped me prioritise my own work and helped me feel inspired to get going and get working! I have so many different strands to my work as a whole that often my own work falls to the bottom of the list because it doesn't have a deadline as such so a specific event such as this is really helpful for me.

Starling, 2016
Fabric pastels and hand embroidery on linen

Starling, 2016
Fabric pastels and hand embroidery on linen

Starling, 2016
Fabric pastels and hand embroidery on linen

I've really enjoyed spending time in my studio drawing, stitching and making. These are the things I love doing and having time to devote to them has been really rewarding and made me realise that I need to make this more of a priority. It's also fired me up with so many ideas that I want to explore. I've focused on making work that is less conceptual for the Fair so I've been focusing more on skills and aesthetics which has been quite liberating as I've been less worried about what it all means. As I've been less worried the ideas have been flowing and I've got lots of avenues I want to explore.

Raven, 2016
Lino print, limited edition of 20

3 Small Feathers, 2016
Pen drawing on watercolour paper

2 White Feathers, 2016
White gel pen on black paper

I'm writing this post partly as a break from all the practical preparation that goes into showing work; labelling, pricing, mounting (so much tape) and so on but now I must get back to it. If you're in Carlisle next weekend it would be lovely to see you!

Starlings, 2016
Machine embroidery on linen

Gannet, 2016
Machine embroidery and fabric paint on linen