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Showing posts with label cotton. Show all posts
Showing posts with label cotton. Show all posts

Monday, 27 July 2015

Beautiful Blues: Indigo Dyeing

Indigo dyed fibres

Indigo dyed fibres

On a not totally horrible Sunday I decided to have a go at indigo dyeing. I've always been interested in natural dyeing and over the past years have collected a number of recipes and possibly one or two supplies! I have played around a little bit with natural dyeing and I really like the unpredictable nature of it. The idea of being able to create colour from something I've grown also appeals and as we are in the process of doing up the garden this will hopefully soon become a reality.

Stitch-resist

Fibres and materials

Fibres 

Wetting the fibres before dyeing

I set aside the whole day which turned out to be a good move, although it's not difficult it is helpful to have time to work through the different stages of the process. I like dyeing as it's a mixture of science and art. It involves basic chemistry and the results are always exciting to me. I have a fairly loose approach to following the 'rules' for dyeing. I prefer to follow the basic guidelines and embrace the quirks that emerge from making errors.

Mixing the indigo dye

Indigo solution

That said, I was a little more careful with the indigo dyeing as it is important not to introduce oxygen into the dye-bath as this is what 'fixes' the dye, which I obviously don't want to happen until the dye is attached to the fibres I'm dyeing. I'd prepared a range of fibres including wool, silk, cotton and linen so I could see how each fibre reacted. I'd also prepared a couple of bits of fabric with a stitches resist to see what effects that would yield.

Hi tech insulated dye-bath

Making sure the temperature was right

Keeping the temperature right

Having mixed up the dye-bath and prepared all my fibres I got to the exciting bit, dyeing! It really was exciting lifting the fibres out of the yellowy green murk of the dye-bath and watching as they turned from bright acid green to beautiful blue indigo in a matter of moments. As the dye oxidises and fixes in the air amazing marbled patterns are created on the fabric as the air hits different parts of the fabric at different times. I didn't have either of my cameras with me (one I'd left at the prism studio and Mr. Stitches was borrowing the other one on a trip out) so I was only able to capture a few shots on my 'phone's fairly rubbish camera. However, it gives an idea of what happens (and gives me an excuse to do it all again!)

The dye-bath, when ready, goes a yellowy green colour

Fibres in the dye-bath

Fibres ready for dyeing

Indigo dyeing is a little different to most other dye processes. For one thing no mordants are required as the dye is fixed by being exposed to the air. Usually when dyeing to obtain darker or more intense shades you leave the fibres in the dye-bath for a longer period of time but in indigo dyeing darker shades are achieved by repeating the dipping process. So, for a darker indigo you just dye it more times. The fibres spend about 2 minutes in the dye-bath each dip. I had fun experimenting with dipping the fabrics repeatedly to achieve a range of shades from palest blue to much darker hues.

Amazing colours as the fibres come out the dye-bath

Amazing colours as the fibres come out the dye-bath

Amazing colours as the fibres come out the dye-bath

Amazing colours as the fibres come out the dye-bath

One of my favourite parts of the process was hanging all my dyed fibres on a line and watching them flap about in the wind. The different shades of blue against the green of the hedge and the grey of the sky looked so beautiful, almost an artwork in themselves. I'm really pleased with my dyes fibres and am looking forward to using them in my work. I'm also looking forward to some more experiments in natural dyeing...


Flying in the wind

Fibres on the line

Fibres on the line

Fibres on the line
Cotton, stitched cotton and wool

Silks, dipped multiple times to create different shades

Silk and linen

Friday, 4 October 2013

Owl Embroidery

Owl Embroidery

I started this owl way back in the year as a 'working sampler' for some embroidery workshops I was running. I used a wooden hand carved printing block to take a rubbing using fabric crayons and then I began embellishing the rubbing with stitch. Over the year the sample has grown as I've done various workshops and this week I got it finished off. I always like to have a work in progress when I'm running sessions so that I can use it demonstrate techniques on a piece of work rather than just a plain piece of cloth.

Ear detail

Head detail

I really love the block that I used and have made several prints and rubbings from it for other projects. This is probably one of my favourite things I've done with it though as I think the stitching adds to his quirky and slightly scruffy appearance. I used my favourite colours and the stitching is mostly chain and feather variations.

Body and wing detail

Body and wing detail

Body detail

Sunday, 9 December 2012

More Doorstops

Green and purple elephant doorstop
Front view of elephant

I thought I'd share with you a picture of the finished green elephant mentioned in my last post and a few owls, just for good measure.

Button free owl

Eyes not made of buttons

This owl was made for a friend who has a fear of buttons. It seemed strange making an owl without buttons but I decided to face the challenge head on and he's actually one of my favourite owls so far. I really like the layered felt and stitching and the fact that he's very purple helps!

Green owl

Tartan owl

I have also listed a couple of owls in my Folksy shop, a green fellow with very large eyes and a seasonably tartan chap.

Friday, 22 April 2011

Colour fun

Part of the point of me starting this blog was to encourage myself to get making more and to share my work with people. I also intended to use it as a kind of online journal, recording the process as well as the finished outcomes. So far I've not really done that, in fact it would be fair to say that I've not done that at all. So, I'm going to give it a go and see what happens.

I'm currently making an art quilt (by currently making I mean I've been thinking about it and semi-planning it for about 3 months and have finally started on it today) to enter into the Festival of Quilts in Birmingham in August. As I said in my previous post I entered a piece in January for a touring exhibition which is showing at said Festival and it would be really cool to have two pieces on show. It would be especially good as the piece that has been accepted, Rise, is small scale and the piece I'm now working on is large but they are both closely related in terms of both concept and technique.

Organza (top) layer

Base layer-there will be another layer between this and the organza top layer
Today I have been making the most of the sunshine and dyeing the fabric for my piece. I'm using cotton muslin and silk organza, both dyed using procion dyes. I've been bucket dyeing and painting on the dyes, with varying levels of success! I've over dyed the main layer twice but I'm happy with the colour now. I like to work with coloured greys, I like the soft, muted tones it produces. I mostly work with blue and green greys as I think it gives a calm and reflective feeling, giving people chance to think about the work. The fabric for this piece is a lovely soft blue, I'm looking forward to stitching it!