Elsewhere: Messages

Messages
2020
Elsewhere, The Stove Network, Dumfries
Photo credit: Kirsten McEwan

As we all know 2020 has been a bit of a bonkers year. There have been huge challenges for us all but there have also been opportunities. One of the challenges for me (not actually covid related) has been finding the time/reason to write about my work. It's something I've really missed the past couple of years but there is, of course, a way to fix this; i.e. to do some writing. 

Messages
2020
Elsewhere, The Stove Network, Dumfries
Photo credit: Kirsten McEwan

One of the most exciting things I've been involved with this year is The Stove Network's Elsewhere project. This grew from their Homegrown project (which I was also part of with my Feathers of Hope) and is also part of their Atlas Pandemica project. 

Messages
2020
Elsewhere, The Stove Network, Dumfries
Photo credit: Kirsten McEwan

It's exciting for a number of reasons; firstly it's a really interesting project, secondly it's been a great opportunity to get involved in my local arts community and thirdly it involved actual real life happenings! In previous years that might not have been quite such a big deal but this year having the opportunity to show physical work in a physical space and to be involved in an actual event with actual people attending has been something quite extraordinary. 

Messages
2020
Elsewhere, The Stove Network, Dumfries
Photo credit: Kirsten McEwan

For my part in the Elsewhere project I was commissioned to create a piece of work that could be displayed in Dumfries town centre. I wanted to develop some of the ideas I'd started playing with during my Feathers of Hope micro commission and I wanted to look at ways of sharing our thoughts and feelings about the unprecedented times we were living in. One of the options for display was to use an empty shop window and I was really keen to explore this offer. During lock down our town centres became very different places; at once familiar yet changed and strange, an echo of so many elements of our lives this year. 

Making envelopes!

At the time I was also developing an online sketchbook making course (which is now available if you fancy making your own books) and I was making a lot of envelopes. This inspired me to come up with the idea of an installation of envelopes, combined with my drawn feathers. 

Drawing on my envelopes

I wanted to use envelopes and feathers for both practical and conceptual reasons. Envelopes are used to carry messages, to communicate ideas, thoughts, dreams, secrets and feelings. Envelope can also mean to wrap and protect and I like this dual meaning. I wanted to explore how we felt, our hopes and dreams at this strange time but I was also very aware how fragile these thoughts and dreams can be, how in need they are of protection. Similarly; the feathers represent us and our hopes and dreams, they are both delicate and strong. 

Some of my envelopes

To emphasise this duality of strength and delicacy, familiar and strange, I chose to work with tracing paper to make my envelopes. The transparent material allows us to see inside the envelopes, to see what secrets they might contain. The envelopes both protect and reveal their contents. Some of the envelopes were empty, some had feathers drawn inside them, some contained drawings of feathers and a couple contained actual feathers. 

Installation day

I love working with transparent materials, I love the delicacy and the ethereality of transparent materials. I wanted my installation to have a feeling of almost not being there, being something intangible, as our hopes and dreams often are. As much as I love them, the big downside to working with transparent materials is that being see through they're difficult to see and really difficult to photograph! Luckily for me Kirstin McEwan took some excellent phots and has kindly allowed me to use some of them.

Installing

My work was installed in an empty shop window in Dumfries town centre. I don't think I've ever enjoyed installing a piece of work so much! After months of cancellations and uncertainty it felt so exciting to be working in a space that wasn't in my house and I loved seeing people stop and watch what we were doing as the envelopes went up. It was also nerve wracking as I had an idea in my head of what it would look like but until the work goes up you never know if it's actually going to work! I was lucky to have lots of help and encouragement from Katie Anderson at The Stove and again, being able to work alongside another person was such a good feeling. The piece even made it into the local press!

My installation was just one part of the Elsewhere project and in mid November The Stove held an 'Elsewhere' event where work from the project was displayed in vennels and other spaces in Dumfries town centre over two consecutive evenings. My envelopes were hung in The Stove Cafe and I loved the way they became more and more difficult to see as the cafe windows steamed up on those cold nights. 

'Messages' installed in The Stove Cafe

Mr. Stitches and I really enjoyed exploring the town and discovering the other artworks on that cold November evening, being relatively new to the area it felt like an adventure going into tiny vennels we'd have missed otherwise. We felt that we got to know the town and it's artists a bit better and it helped us feel more a part of that community. 

Work by Simon Lidwell

This sense of community and involvement is one of the things I've enjoyed most about being part of this project. It's helped me feel connected and a part of the artistic community. Throughout the ethos has been supportive and encouraging and I hope that I will continue to be involved and part of this community. 

Feathers of Hope: Homegrown Commission

Day 1 Hope for Clean Air
Pen on handmade paper

In the ongoing roller-coaster of emotions and experiences that is the 2020 Covid-19 crisis there are lots of glimmers of hope and positivity. Over the 10 years I've been writing this blog one of the recurring themes has been "and I would like more time for my own practice." Be careful what you wish for! In truth though the past few weeks have offered me the chance to really focus on my practice and I'm very grateful for that. I've also been finding new ways for me and my work to 'get out there,' mostly in a digital rather than a physical sense of course! In this post I'm going to share one of the ways I've been sharing my work.

Day 2. Hope for Kindness
Pen on tracing paper

The Stove Network is an artist-led organisation based in Dumfries and they believe that the creative community can and should play a key role in the development of the region. One of the ways they have been supporting their members during the pandemic is to offer micro commissions as part of their 'Homegrown' project. The key tenets of this project are open-heartedness, solidarity, perseverance and insight. The micro commissions are for small week long projects that embrace one or more of these ideas.

Day 3. Hope for Inventiveness
Coloured pencil on inside of an old envelope

I was really excited to be selected for one of these commissions for my 'Feathers of Hope' project. It was a simple idea; each day for a week I would draw a feather and share it along with one of my hopes for the future that will come after this pandemic. I've been spending a lot of time thinking about how we have the opportunity to create a fairer, happier society and so this project was a good way to focus some of those thoughts. The feathers and hopes were then shared on The Stove Network's Facebook and Instagram pages each day.

Day 4. Hope for Art Education

I was also excited about the opportunity to share work with people in my local area. As we're relatively new to the region I'm still finding my way around and it's great having organisations such as The Stove Network to help get to know what's going on. Even though we didn't move far last year we did move to a new region and indeed a new country and so it takes time to get to know what's going on and the people involved. Everyone I've come across has been so friendly and helpful and the positive arts scene in Dumfries and Galloway was one of the factors in deciding to move.

Day 5. Hope for Food Origin Awareness
Free motion embroidery on rust dyed silk organza

Taking part in this project has been such a positive experience for me. As well as being a good confidence boost it's introduced me to lots of other wonderful creatives and helped me feel more a part of my local arts community. It's also given me a good 'daily focus' and I found I very much looked forward to creating the drawings each day. Having a reason to give myself that time to be creative each day was very beneficial and led to lots of other work in the studio too, more about that another time maybe!

Day 6. Hope for Nature
Ballpoint pen on reverse of gold paper

As part of the commission I was also asked to create a short video about my practice. I'm not really that technically minded and have a fairly limited idea of what I'm doing when it comes to making videos and so on but one of the good (if also rather stressful) things about the current crisis is that it has forced me to learn how to do things. I now have a slightly less shaky grasp of video making and sound recording. These are really useful skills and as I'd been thinking about creating some online courses before the pandemic anyway I hope they're going to stand me in good stead! Making the video was also a good opportunity to think about my practice and what the really important bits are that I want to share with people.

Day 7. Hope for Positive Changes
Pen, chalk and pastel on coloured paper

As usual I've not written the post I intended; I was going to write about the actual work and the hopes for the future but writing this post has been a good opportunity to reflect on the experience as a whole so I'm going to hope (see what I did there) that the work speaks for itself and I also hope that you've enjoyed it!

Completion Catharsis

Gold paper and feather collage

Wow, it's been a long time since my last post! When I started this blog ten years ago way back in 2009 the world, particularly the digital world, was a different place. Over the last decade social media has exploded, our use and reliance on the internet has grown hugely and the the world of blogs is not what it was. Don't worry, this isn't a "isn't modern life terrible lets live in a cave" kind of post, I just want to set out some of my thoughts.

Jackdaw, 2019
Fabric pastel and hand embroidery on linen

Jackdaw, 2019
Fabric pastel and hand embroidery on linen (detail)

Over the last decade I've used my blog for different things; reflecting, recording, promoting, ranting and sharing to name a few. Recently though I've not used it much at all. Social media channels such as Instagram have meant that I share "little and often" rather than saving things up and writing blog posts about them. Like most things this is good and bad; it's great being able to quickly share and connect with people but for me the downside is that I don't share much 'in-depth' information and I certainly don't share as much of my reflections (which may actually be a good thing; it's probably only interesting to me anyway!) There are also other reasons for not blogging so often, I'm very busy being one of them! I also started a newsletter so information that would maybe previously have gone on here goes straight into that.

Flow: Moon, 2019
Hand embroidery and found objects on naturally dyed fabrics 

Sometimes I miss this blog and posting regularly but mostly it sits here, waiting for me. I don't know whether I'll carry on writing it next year but I'll leave it here for a while and see. I like to look back over my posts occasionally, it reminds me how far I've come and what I've achieved. Which leads me back to the reason I started writing this post which was to share some finished pieces with you. These have all been 'works in progress' for some time and I really wanted to get them done before the year is out so I've been enjoying sitting down with them and working on them until they're resolved.

Flow: Moon, 2019
Hand embroidery and found objects on naturally dyed fabrics (detail)

Some pieces come together quickly and easily, others need time and several attempts to get them done, which is the case for Jackdaw and Flow: Tide-lines. Often it isn't even that I don't know what to do it's just that I'm not in the right mood or there are too many other things that must be sorted first. I find that, particularly with hand embroidery, I really need to be able to sit in peace to resolve these works, it's so time consuming that I feel like I need a clear block of time to get stuck in. It's a bit odd really as the process is actually very calming and meditative and easy to pick up and put down. Maybe it's just my need for some quiet time?

Flow: Tide lines, 2019
Hand embroidery and found objects on naturally dyed fabrics

Flow: Tide lines, 2019
Hand embroidery and found objects on naturally dyed fabrics (detail)

Whatever the reasons, these pieces have been a long time in the making but I'm pleased to have finished them and have them ready to share with the world. I have a head (and several sketchbooks) full of ideas of what I want to do next in my work and having cleared these pieces from my 'to-do list' I feel like I'm ready to start working on some of these ideas. Maybe I'll share them on here and maybe not, we'll see!

Light and Dark, Sun and Moon

Winter Solstice: Sun and Winter Solstice: Moon
Wax, collage, feathers and stitch 2018

For several years now I've taken part in Surface Gallery's excellent 'International Postcard Exhibition.' I really like this project as it's a great way to start a new year; it's manageable, affordable and a great way to test out new ideas and get them out into the world. Technically I ended the year with this project as I made my postcards last month but the exhibition is this month so I'm going to let myself off.

Winter Solstice: Sun
Wax, collage, feathers and stitch 2018

As I've been experimenting with wax and collage recently I decided that I would use the postcard show as an opportunity to create a couple of small pieces exploring this technique. I've also become very interested in using the sun and the moon in my work over the last year or so (continuing my interest in dichotomies) and again thought this would be an ideal opportunity to experiment a little with these ideas.

Winter Solstice: Moon
Wax, collage, feathers and stitch 2018

I made a pair of postcards, they're designed to work together but I think they also work apart from each other. I made them on the solstice, being inspired by the idea of the turning point of the year and how even in our 'advanced' technology saturated lives the cycle of light and dark is still so important to us.

Winter Solstice: Sun (Detail)
Wax, collage, feathers and stitch 2018

Winter Solstice: Sun (Detail)
Wax, collage, feathers and stitch 2018

Winter Solstice: Sun and Winter Solstice: Moon
Wax, collage, feathers and stitch 2018

One postcard is entitled Winter Solstice: Sun and the other Winter Solstice: Moon, representing the dark and the light, night and day. I love the way cloud can diffuse the light of the celestial bodies, creating an ethereal effect and I wanted to try and capture this in my pieces. I used metallic paper and layers of tissue paper, all held together with wax. I tore rather than cut the paper to try and capture that hazy quality. It's been partially successful and I think it's an idea worth pursuing. I incorporated feathers in my pieces to represent us and the importance of our relationship to the light and the cycle of the seasons and of night and day.

Winter Solstice: Moon (Detail)
Wax, collage, feathers and stitch 2018

Winter Solstice: Moon (Detail)
Wax, collage, feathers and stitch 2018

Winter Solstice: Moon (Detail)
Wax, collage, feathers and stitch 2018

Although theses postcards haven't come out exactly as I'd hoped it's given me a start on some ideas I've been wanting to explore for a while and I hope that over the course of this year I will be developing this work further. In the meantime, if you're in Nottingham do go and look at the show and see the amazing diversity and skill of all the artists who've submitted their work.

Looking Back and Looking Forwards

Like all years 2018 had its ups and downs, although it felt like a lot more downs than ups to be honest! I haven't really felt like writing much on the blog at all recently and I haven't felt like doing my usual end of year reflection post so instead I've put together a couple of little slideshows of some of the things I've been up to this year. It's been a good chance to look back over all the good things from the year and some of the great projects I've been involved with. I'm starting this new year full of inspiration and positivity and am looking forward to a happy and creative 2019.

The first video is a mix of work I've made, exhibitions I've been part of, other things I've made and publications. The year started off really positively with an exhibition at RSPB Geltsdale and other highlights included having my Shadow-work tutorial published in Be Creative with Workbox magazine, the Embroiderers Guild '100 Hearts' project and exhibiting with Decorum at Farfield Mill. I had a bit of a creative slump in the second half of the year but I feel like I'm back on the up now with lots of new ideas to try out this year.

The second video is a mix of the workshops I've run and the projects I've been involved with through my roles at Heathlands and Prism Arts. My favourite project has to be the Processions banner made with a group at Prism Arts, both the making and the procession itself far exceeded my expectations and it was a real pleasure to work with everyone in the group. This years Heathlands quilt was also a lot of fun and I've run lots of workshops where I've met lovely people, been inspired and seen great work being created. Here's to more exciting collaborations for 2019!

One of the things I've definitely got better at over the past year is living in the moment more and enjoying things more. If I have a new years resolution it's this; to enjoy the simple things and not worry so much about the bigger picture. Here's to a happy, peaceful and creative New Year for us all!

Rust and Red: Adventures in Colour and Remembering

Memory Cloth (For Cathy)
Rust dyed fabrics, hand embroidery, feathers and found objects
2018

Over the course of this year I've been involved in a number of projects connected with the centenary of the end of the First World War and Remembrance. When I first began getting involved with these projects I wasn't really sure how my work would connect; military history isn't really my thing. However, the more I thought about it the more I realised that actually there are a lot of connections, particularly with the remembrance element of the centenary.

Memory Cloth (For Cathy)
Detail

Memory Cloth (For Cathy)
Detail

Memory Cloth (For Cathy)
Detail

Memory is one of the themes that I'm interested in exploring in my work, in particular the way that it changes over time and the way that objects, especially textiles, hold memories. One of the reasons I like to work with natural dyes is that they are a way of preserving a memory of that resource in cloth and I also like the way that the colours can change and shift over time, they remain beautiful but they change subtly and slowly just like our memories.

Memory Cloth (For Cathy)
Detail

Memory Cloth (For Cathy)
Detail

Early on in the year I began work on a piece in memory of a particular person; Cathy. A member of Cumberland Embroiderers Guild and a very talented stitcher Cathy was always so enthusiastic and encouraging and always wanted to hear about my projects. When she died her son asked me to help sort through her extensive stash, dividing it up amongst the charities I work for. I kept a few of her unfinished samples and the needles and pins that were too rusty to use. I wanted to create a piece of work that would celebrate her life and provide a way of remembering her.

Work in progress on Memory Cloth

I used the rusty pins and needles and a small pair of her rusty scissors to dye and print some fabric. I then assembled this dyed fabric along with some of her unfinished samples, feathers and various other bits and pieces. I joined these pieces with lines of stitch, representing her journeys through life and connecting all the different elements together.

Silk dyed with cochineal

Wool, cotton and linen dyed with cochineal

Linen, cotton, wool and silk dyed with cochineal

The finished piece was exhibited at Farfield Mill as part of the Nostalgia exhibition earlier this year and then again as part of the Cumberland Branch of the Embroiderers Guild exhibition at Tullie House in September. I like that the piece could be both personal (as it was when shown in September) or more general (as it was in May) but either way I found people could connect with it and find their own stories, memories and interpretations within it.

Flow: Red
Naturally dyed fabrics, feathers, sequins and hand embroidery
2018

Every two years Cumberland Branch of the Embroiderers Guild holds an exhibition (as mentioned above.) This year our theme was Red and the Chairman's challenge was Poppies, to tie in with the centenary and remembrance events. Although I use touches of red in my work it's not a colour I'm very confident with, I lean more towards cooler colours like blues and greens. However, I wanted to create a piece for the exhibition and, handily, earlier in the year I'd been doing some dyeing with cochineal so had quite a few bits of naturally dyed fabric ready to use.

Flow: Red (detail)

Flow: Red (detail)

Flow: Red (detail)

Inspired by the pieces I'd made for Remembrance100 at Cumbria's Museum of Military Life and the piece I made in memory of Cathy I decided to make one of my mini banners, as I call them. I wanted red to be the main theme but I also added touches of gold to hint at the preciousness of life but also as a nod to military regalia and medals. I also wanted the piece to reference poppies and remembrance so I incorporated black and red sequins. As always I included feathers as in my work I use them to represent us and because I wanted this piece to be part of my 'Flow' series, which explores the flow and change of life and memory.

Flow: Red (detail)

Flow: Red (detail)

Although quite different to my other pieces I like this piece, it is much bolder and less subtle and it was interesting working with such a strong colour. I found it very challenging as often it felt too much but I'm happy with how the different elements have eventually come together.