Pages

Showing posts with label branches. Show all posts
Showing posts with label branches. Show all posts

Friday, 18 September 2015

C-Art 2015 Wrapped: Response work

Wrapped, 2015
September in Cumbria means it's time for C-Art, when artists and art organisations across Cumbria open their studios to the public. At Prism Arts we've been busy putting together a display of work by the groups we work with and this year we also have a new strand to our displays. All of the Prism Artists were invited to produce some work in response to the work of our participants and this work is on show in our small studio (which is just across the corridor from our big studio.) We have also got 'Skyground' on display in the small studio and it's interesting how differently it works inside (previously it was on display in Tullie House gardens.)

Skyground, 2015

Work by No Borders

I chose to respond to work by one of the members of the No Borders group that I regularly work with and I created a series of branches wrapped with different threads, yarns and fibres which I then dyed using indigo. So, as well as responding to the work of another artist I also used this as an opportunity to explore a technique I'd been wanting to try for some time; indigo dyeing. I had already done a bit of work inspired by this person so this was a good opportunity to develop it a bit further.

Exhibition view, small studio

Earth Spirits (detail) by Leah Cameron

Jan Hicks

Celia Burbush

When we (Prism Artists) all came to install our work it was interesting to see how well our pieces worked together. Leah's beautiful 'Earth Spirits' were already in place and as soon as I saw them I knew I wanted to display my branches above them, which was lucky as that was the space I'd been allocated! Further along we hung Jan Hick's beautiful bird piece, all of our pieces referencing the natural world. Opposite the indigo blues of my branches are matched by the vibrant blue skies and beautiful seascapes of Celia Burbush. None of us had spoken to each other about our response pieces so it was really lovely how all the work came together so well.

Wrapped, 2015

Wrapped (detail)  2015

Wrapped (detail)  2015

This is my statement, accompanying my work:

Delivering projects for Prism Arts gives me the opportunity to work with a wide range of people in a variety of settings. Often my own art practice is greatly influenced by these projects. I am often inspired by the ideas, approaches and sheer joy of making that I see in many of the participants I work with. The projects also give me an opportunity to play and experiment with materials and techniques as I often produce sample pieces to take to workshops.

Magic Tree by Jackie, 2014
When all the Prism Arts artists were invited to make a piece of work in response to the work of our participants I knew immediately that I wanted to respond to the work of Jackie from the No Borders Art Group at Carlton Day Service. During one of the projects I'd been working on with this group I had introduced them to thread wrapping as a way of exploring colour and texture. Jackie took this idea and developed it, creating a beautiful thread wrapped branch. Her intuitive use of colour and texture and her focus on her work really inspired me and led to this series of indigo dyed thread wrapped branches.

This piece of work ties in with previous pieces of mine exploring restraint and containment but would not have come about without Jackie.

Wrapped (detail)  2015

Wrapped (detail)  2015

Wrapped (detail)  2015

As I mentioned in my statement this work explores the dichotomy of wrapping; it can be both protective and restrictive, a restraint or a comfort. I like these two conflicting interpretations and have tried to emphasise this element of the work further by my use of materials, both delicate and strong, natural and fabricated.

Wrapped (detail)  2015

Wrapped (detail)  2015

Wrapped (detail)  2015

I have really enjoyed working on these branches, it is a very therapeutic process and I like the finished result too. Working with natural materials and experimenting with natural dyeing is also a very satisfying process, creating a feeling of connection with the natural world. It is quite a time consuming process, allowing time for contemplation and consideration. 

Tuesday, 10 April 2012

BOB and Birdy Tiles

Birds on Branches Coasters


I had a very exciting email yesterday inviting me to participate in a new Craft Festival in Derbyshire. It is called BOB: the Underground Craft Festival and is taking place in September in Bakewell, Derbyshire. I'm really looking forward to it, best get making! Which leads me onto my next topic...

We've recently redecorated our front room and one of the things we did was put some lovely red tiles on our bare concrete fireplace. They look really good and finish the room off. We had a few left over and not liking to see things go to waste I thought I'd do a little experimenting, as you know I'm mildly obsessed with birds so that seemed the obvious way to go.

I thought about using light colours but then decided silhouettes would be more dramatic so I used black ceramic paint. I worked from drawings and pictures of real birds and painted the silhouettes directly onto the tiles. I then baked them to fix the paint which was very stressful as I was sure they were going to crack (and we couldn't have dinner until they were done!) Luckily, it all worked out fine and I'm really pleased with the results. I finished the tiles off by backing them with felt so that they wouldn't scratch any surfaces. I think they're quite dramatic and a bit different from my usual stuff but that's no bad thing. If you like them they are for sale in my Folksy shop!

More Bird Coasters

Backed with felt

Felt Backing

Monday, 5 September 2011

Backwards BookJacket

The Backwards Book Cover

I thought one of the projects I could do with my textiles group this term is book covers. The construction is fairly simple and there's plenty of scope for embellishment. So I dutifully began making a sample, merrily embroidering a bird and branches in sparkly thread (ooh, shiny!) I cut a lining and stitched that on, using some interfacing for increased stiffness. It wasn't until I actually came to press in the folds that I realised my minor error. I had embroidered the bird on what would be the back part of the cover. I'd been so involved in the decoration I'd neglected the construction! However, it's a very pretty bird and it really doesn't matter, I just laugh at myself every time I see it. I'm using the book jacket for my little knitting notebook as it was getting a bit dog-eared. Hopefully next time I'll get it the right way round.

Opened out book cover

The back/front!

The front/back!

The lining