Pages

Showing posts with label books. Show all posts
Showing posts with label books. Show all posts

Sunday, 15 July 2018

Inventive Sketchbooks at Cloud 9

Set up ready for the workshop

If you've read this blog before you'll know that I love running workshops, I love that each time I run a workshop it's different and I learn something new, even when I've run the session many times before. Yesterday I ran my 'Inventive Books' workshop at the lovely Cloud 9 Studio Gallery in the centre of Dumfries. I had three great participants and we all had a productive, creative and enjoyable time. The gallery is a lovely place to visit, there are lots of lovely things to look at (and buy!) and Julie, the owner is really friendly.

Making pages for our folded books

Making pages for our folded books

Making pages for our folded books

It's unusual for me to have such a small group, hosting workshops can be expensive so generally places need a higher number of participants to make it work financially. It's a very different dynamic working with a small group and it was a nice change. The participants were all very creative people as well so that also changed the dynamic, throughout the day I had to remind myself that I was working as it was such a relaxed atmosphere it was more like a creative conversation than teaching.

Folding our books

Folding our books

Folding our books

I shared my processes for making my favourite folded sketchbook and envelope sketchbook and everyone had a chance to make one of each using a selection of papers that they felt inspired by or drawn to. One of the reasons I love making my own sketchbooks is that I can select the papers I use and make it personal to me. I like to draw on a range of different papers so making my own books means that I can pick out the papers I like and use them to create a sketchbook I know I'll want to work in.

Making covers

Making covers

Beautifully finished folding book

We also discussed ways of working in sketchbooks. Like many things, I think that for most people getting started is often the hardest part. As a starting exercise I gave everyone a word or phrase to get them going, I kept these deliberately vague so that lots of different ideas could be generated, it doesn't matter if these ideas don't lead to a final piece the important thing is to get going and start the creative process both in terms of thinking and making. Over the years I've backed myself into a corner (creatively speaking) so many times by getting overly focused on finding the 'right' idea to work on. Over time I've learnt that it's better just to do something, anything as the thoughts and ideas will flow much more easily.

Starting to work in our sketchbooks

Starting to work in our sketchbooks

Starting to work in our sketchbooks

Sketchbooks are very personal things and I love that each one made on this workshop is so different and reflects the personality of its maker. I finished the workshop feeling inspired by the conversations we'd had and happy that I was able to share some of my favourite techniques and hopefully inspire my participants to carry on their creative journey.

Finished books

Finished book

Finished book

Wednesday, 5 August 2015

No Borders: Seven Stories

Pom-Pom making

I am just finishing a block of sessions with the No Borders art group at Carleton Day Service in Carlisle. I love working with this group and this block I have been so impressed with how far they've come both in skill and confidence. I first worked with them back in 2012 and since then have run several projects with them, each time seeing them develop a bit further. This time we are contributing to Prism Arts and Cumbria Libraries 'Seven Stories' project.

Working on designs

Working on designs

Working on designs

It has been really exciting and rewarding working with this group during this set of sessions because they have really led the project and taken control. They are rapidly approaching a point where they don't need me much which is great, at the start they would ask me about every little detail whereas now I am more of a sounding board. To see a group of people take on a project, share ideas and confidently decide how to move forward is one of those things that gives me that 'that's why I do this' feeling. Knowing I've been a part of building their skills and confidence is a huge boost.


Keeping track of our designs

The group had thought about making a time capsule for this project but as we discussed their ideas and how they'd like to work the idea developed into creating a giant hanging book, with their work forming the pages of this book. Their starting point was things they liked about Carlisle. This idea really set them off creatively and each member of the group had lots of ideas and we were able to make some quite detailed plans of what we wanted to do and achieve. One of the things I was really pleased about was that when I asked what techniques people wanted to use they all had really clear ideas and were confident in voicing these.

Strips of fabric, ready for weaving

Warping the loom

Starting weaving

One of the group members wanted to do more weaving, she had experimented with using the peg looms and really liked this way of working so over the past few weeks she has been creating a beautiful woven page using strips of different coloured and textured fabric. This person's starting point had been the library and the rows of colours echo mixed bookshelves perfectly.

The weaving is growing...

...and growing...

...and growing!

Another member of the group wanted to develop her felt making skills. Over the time I've been with this group we have done quite a bit of felt making and I was pleased to see this person trying out new ideas and using the skills she'd already gained to create a beautiful and very well crafted piece of felt. Her piece was inspired by communication and being with friends and I think that joy really comes through in her work.

Laying out the felt

Laying out the felt

Adding ribbon, net and fabric pieces

Starting the felting

Rolling the felt

Fully felted
A third member of the group has not been part of the group as long but has still shown great progression and development both in terms of skill and confidence. Whilst she will still ask what colour to use when I respond 'what do you think?' she answers without hesitation. She just requires a little more reassurance that her ideas are good (which they are.) This person was particularly inspired by the work of Lorna Graves, on display in Tullie House and this led to her working on a theme of animals.

Translating drawings into fabric work

Building up the image

Adding stuffing

Starting with drawn designs this member of the group then developed her work through fabric collage to create a beautiful Rabbit portrait, complete with pom-pom ears and tail. Working on the sewing machine was a highlight for this person and is something she would like to try more of. This person really likes to work in a more 3D way so we added stuffing to raise the surface and give more form to her work.

Making pom-poms

The almost complete rabbit

Adding a ribbon border

For the last couple of weeks we also had another member, who I have worked with on Prism Arts Studio Theatre project. She has been working on a piece of fabric collage, using the skills she's learnt at Theatre Skills to great effect.

Fabric collage owl

I'm looking forward to going back in a few weeks to see how they take this work forward. I am confident that they have the skills and knowledge, and importantly the belief in their abilities, to produce more great work. I'm excited to see what they come up with and to start putting it together.





Wednesday, 15 April 2015

Seven Stories: St. Bede's School

Making a character collagraph print plate

A couple of years ago Prism Arts ran a project in Carlisle Library connected to the Outside In exhibition at Tullie House Museum and Art Gallery. It was a really successful project and great fun to work on. Such was the response that Prism Arts sought funding to do another even bigger project with the library. Late last year we heard we got the funding so starting in January we have been getting the project under way.

Collaging landscapes from stories

Collaging landscapes from stories

Collaging landscapes from stories

The project is called Seven Stories, based on the idea that there are only seven stories in the world; all stories being a variation on one of these seven base stories. We are, sticking with a theme, working with seven different groups which include schools, day centres and other community groups. I'm working with several of the groups, including one of the schools. I am working with Year 4 (8-9 year olds) which is one of my favourite age groups as they have lots of ideas and are very imaginative and are generally happy to express these as they aren't yet too self conscious.

Collaging landscapes from stories

Collaging landscapes from stories

Collaging landscapes from stories

To start with the students visited the library to gain inspiration and to get their ideas flowing. The school I'm working with were really inspired by a 700 year old manuscript held in the library. They have been working with a writer to create some fantastic stories and poems and I've now started working with them to develop the work visually.

Collaging landscapes from stories

Collaging landscapes from stories

Collaging landscapes from stories

Collaging landscapes from stories

For the first session we worked on collages of some of the places in their stories, which included a jungle, the Arctic, rivers and some mountains. The whole class worked really well, carefully choosing materials and creating some fantastic landscapes. I was very impressed with how focused the class was and the level of concentration and commitment to the task I had set them.

Working on character designs

Working on character designs

Following on from the collage work we looked at developing some of the characters from the stories in the next session. As their original starting point had been the 700 year old manuscript I thought it would be interesting to have a look at some illuminated manuscripts and some of the marvellous animals featured in them. This led me to think that making collagraph plates using mainly string would be a good way of getting some of the intricate details found in illuminated manuscripts into the work without having to learn how to do complicated and involved drawing techniques.

My sample print plate

Turning drawn designs into collagraph plates

Selecting materials to collagraph

So, this is what we did! As before the students had some fantastic ideas and showed a willingness to experiment which is very refreshing. Often people are so afraid of getting it 'wrong' that they can be quite restricted with the things they'll try. They also showed great levels of concentration, focusing on the activity all day and producing some fantastic printing plates.

Adding texture with yarn

Beads and string

A completed print plate

I am really pleased and impressed with the work they have produced. If you haven't done any printing before making a print plate is really hard because it's difficult to envisage what the print will look like. With collagraphs you have to remember that it's the sticky up bits that will show in the print and that can be hard to get your head round. However, I think the plates they've made will work really well and I'm excited about testing them out next week.

A completed print plate

A completed print plate

A completed print plate