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Showing posts with label cumbria's museum of military life. Show all posts
Showing posts with label cumbria's museum of military life. Show all posts

Sunday, 28 October 2018

Changing Impressions: Remembrance Workshops at Cumbria's Museum of Military Life

Objects and samples ready for the workshop

Earlier in the Summer I wrote a couple of posts about projects I've been involved in connected to the centenary of the end of the First World War. One of the projects I've been involved with was designing and delivering a drop in workshop (two actually) for Cumbria's Museum of Military Life as part of their Remembrance 100 programme.

Stitching

Making a rubbing

Adding stitching

In all honesty drop in workshops are not my favourite; the activity needs to be accessible and achievable in a very short time frame but should also be able to be extended if visitors want to stay, you never know how many people you're going to get and a lot like busses participants tend to either not turn up at all or all come at once! However, they are a great way of getting people in to museums and offer an easy way for people to participate which I do think is a really good thing.

Exploring colour

Rubbings and stitching

Adding stitching

Memory and how it changes over time is a theme I'm currently exploring in my own work so I was interested in creating a workshop that looked quite broadly at remembrance; what it means to remember and how that changes. (I wrote a bit about this on my post about the Remembrance 100 exhibition if you're interested to read more.) I'd also been asked to give the workshop a textiles focus, which was good for me as of course I love working with textiles.

Getting involved

Getting involved

Getting involved

I decided to create a workshop called 'Changing Impressions.' Using fabric crayons and cotton fabric I encouraged participants to make a rubbing of an object, creating an impression of it. If they wanted to they could then further embellish their rubbing with stitch. The idea was that by taking a rubbing from the object you would create an impression of it; it's from the object and bears a resemblance to it but it's not the same in the same way that our memories of things are not the same as the actual things (or events.) Further embellishment further changes the memory of the object imprinted on the cloth, just as each time we revisit a memory it subtly changes.

Workshop results

Workshop results

Workshop results

I really enjoyed running the sessions, both were well attended and what I loved was seeing participants, particularly the children, become very engaged in what they were doing and focusing on the process. In our increasingly fast paced world I think it's increasingly important to find time to stop, slow down and properly engage with an activity, especially one that uses the hands. I think I created several converts to hand embroidery, more than one child was heard to ask if they could go and buy threads to do some sewing at home. It was also lovely to see family groups sit and work together, supporting and encouraging each other and creating memories as well as exploring them.

Workshop results


Tuesday, 26 June 2018

Remembrance 100 at Cumbria's Museum of Military Life

Flow: Memory
Naturally dyed fabrics, feathers, shells, beads and hand embroidery. 2018

With 2018 marking 100 years since the end of the First World War there are, unsurprisingly, a lot of exhibitions and events exploring remembrance. One of these is 'Remembrance100' at Cumbria's Museum of Military Life. As WWI starts to slide out of living memory it is an important anniversary to mark and is an interesting time to look at how the way we remember changes.

Remembrance100 Exhibition

My work (top left)

Remembrance100 is an open art exhibition curated by Jamie Barnes. I think having an open exhibition to explore this diverse area is a really good idea as remembrance is something that belongs to us all, it's great to have an opportunity anyone can apply to so that a range of interpretations can be seen. I submitted and had accepted one of my small textile banners. This piece is entitled 'Flow: Memory' and is part of an ongoing series looking at the concept of flow and part of a wider body of work exploring memory.

Flow: Memory (detail)

I am fascinated by memory and the way how we remember can change. We have a tendency to think of memories as fixed and unchanging but this is not the case. Our memories, both personally and our memories (or remembrance) as a society, are constantly changing and evolving. They are affected by the physical and biological changes that occur within our own bodies as we age and they are affected by the changes that the society we live in goes through. Our experiences and constantly changing emotions also change our memories. Memories are fluid, ephemeral things that ebb and flow like the tides; each time a little different.

Flow: Memory (detail)

This idea of change, ebb and flow is something I'm really interested in exploring in my work. By creating a piece of work about memory I'm trying to fix in a tangible way something that is intangible, I hope by using layers of naturally dyed and sheer materials I can capture an element of this or at least provide something to get people thinking about memory and the nature of remembering.

Flow: Memory (detail)

The exhibition is on until 2nd September and features work by lots of excellent artists, both professional and amateur. If you go before 8th July you'll also be able to see the incredible 'Weeping Window' ceramic poppy installation at the castle.

Weeping Window

Weeping Window

Weeping window