Pages

Showing posts with label frottage. Show all posts
Showing posts with label frottage. Show all posts

Sunday, 28 October 2018

Changing Impressions: Remembrance Workshops at Cumbria's Museum of Military Life

Objects and samples ready for the workshop

Earlier in the Summer I wrote a couple of posts about projects I've been involved in connected to the centenary of the end of the First World War. One of the projects I've been involved with was designing and delivering a drop in workshop (two actually) for Cumbria's Museum of Military Life as part of their Remembrance 100 programme.

Stitching

Making a rubbing

Adding stitching

In all honesty drop in workshops are not my favourite; the activity needs to be accessible and achievable in a very short time frame but should also be able to be extended if visitors want to stay, you never know how many people you're going to get and a lot like busses participants tend to either not turn up at all or all come at once! However, they are a great way of getting people in to museums and offer an easy way for people to participate which I do think is a really good thing.

Exploring colour

Rubbings and stitching

Adding stitching

Memory and how it changes over time is a theme I'm currently exploring in my own work so I was interested in creating a workshop that looked quite broadly at remembrance; what it means to remember and how that changes. (I wrote a bit about this on my post about the Remembrance 100 exhibition if you're interested to read more.) I'd also been asked to give the workshop a textiles focus, which was good for me as of course I love working with textiles.

Getting involved

Getting involved

Getting involved

I decided to create a workshop called 'Changing Impressions.' Using fabric crayons and cotton fabric I encouraged participants to make a rubbing of an object, creating an impression of it. If they wanted to they could then further embellish their rubbing with stitch. The idea was that by taking a rubbing from the object you would create an impression of it; it's from the object and bears a resemblance to it but it's not the same in the same way that our memories of things are not the same as the actual things (or events.) Further embellishment further changes the memory of the object imprinted on the cloth, just as each time we revisit a memory it subtly changes.

Workshop results

Workshop results

Workshop results

I really enjoyed running the sessions, both were well attended and what I loved was seeing participants, particularly the children, become very engaged in what they were doing and focusing on the process. In our increasingly fast paced world I think it's increasingly important to find time to stop, slow down and properly engage with an activity, especially one that uses the hands. I think I created several converts to hand embroidery, more than one child was heard to ask if they could go and buy threads to do some sewing at home. It was also lovely to see family groups sit and work together, supporting and encouraging each other and creating memories as well as exploring them.

Workshop results


Sunday, 28 February 2016

Fabulous Frottage and Beautiful Birds

This post was written late last year, I was hoping to get some pictures of the finished display but haven't been able to yet and I want to move this out of my 'drafts' list!

Beautiful collaged birds

It's always nice to be asked back to places and so I was very pleased when Stoneraise School contacted me to ask if I would come and work with them again. Last year I did a felt making session with some of Key Stage 1 which was a lot of fun. This year I was asked if I could work with all the KS1 children to create a display in the school. I worked with Years 1 and 2 in the morning and Reception in the afternoon. The difference between the two groups was very noticeable, although both groups produced some fabulous work the level of concentration and dexterity was quite marked.

Experimenting with frottage

Experimenting with frottage

Experimenting with frottage

After some thinking and plotting I decided that a display of birds would be good, probably largely influenced by my own obsession! I wanted to give the children the chance to experiment with media and techniques in ways they maybe wouldn't usually and I wanted to produce a project that all the students could participate in and create something they would be proud of. This lead me to create quite a simple frottage and collage project that would allow the children to explore colour and texture using familiar materials in a different way. Using basic materials (sugar paper, card and wax crayons) the aim was to create an exciting display the children would enjoy making.

Creating feathers from our frottage

Creating feathers from our frottage

Creating feathers from our frottage

In an ideal world where budgets are not so tight I would have liked to work with the children to create their own drawings of birds to collage but as time and resources were limited I decided to create a couple of bird templates for the children to use. The first step was to look at texture, I introduced the students to the idea of creating texture on paper using frottage and set them off to explore their classroom and find different surfaces to take rubbings from. I asked the children to create at least two sugar paper sheets full of rubbings and to think about what colour crayon to use on their chosen colour of paper. After some initial hesitation the class was soon full of children taking rubbings from every available surface and proudly sharing their findings.

Collaging the feathers on

Collaging the feathers on

Collaging the feathers on

The next part of the project involved making a bit of a mess and so was one of my favourite bits! I asked the students to rip their pieces of frottaged paper into small pieces to make feathers for their birds. For some of the children this was really difficult. They didn't, understandably, want to destroy what they'd spent time and energy making. With a bit of reassurance and encouragement, however, all the children created a pile of 'feathers' ready for the next stage.


Collaging the feathers on

Collaging the feathers on

Having created the 'feathers' for their birds I next asked them to choose a template, I'd prepared a sitting bird and a flying bird expecting that  most of them would go for the flying bird. I was surprised how many went for the sitting bird but pleased as I thought it would help balance the finished display. I then demonstrated how we could use our bits of paper to build up layers of feathers, just like on a real bird, and set them to work covering their templates.

My samples

Sitting bird sample

For almost all my workshops I make and show samples and usually demonstrate as I go along, I've found it to be really helpful as often it is a lot easier to understand something if you can see it and hopefully participants find it quite inspiring.  Some practitioners prefer not to prepare examples as they do not want to overly influence the work of their participants and in certain settings I think this is a wise approach. However, I find in most cases participants respond better if they have something tangible as an example of what they might be aiming for and I find that with the right support and encouragement 'copying' is fairly limited.

Finished birds from the morning

Finished birds from the morning

Finished birds from the morning

Finished birds from the morning

Having covered their birds with their paper feathers I then unleashed the wiggly eyes and dyed feathers for the children to finish off their birds with. I was so impressed with some of the finished birds and the concentration and effort some of the children put in was great to see. I always think it's a good sign when they all ask if they can take their work them home with them!

Finished birds from the afternoon

Finished birds from the afternoon

Another aspect of working in schools that I'm starting to develop more and more is giving the students the chance to see how being an artist works 'in real life.' I explained a little bit about my work both in terms of running workshops and the work I produce and it was a nice ego boost that when I went back into Years 1 and 2 to say goodbye at the end of the day they were looking at my website and talking about my work. There was also a very funny discussion with reception about whether I was a dead artist, like Van Gogh who they'd been studying, or an alive artist. Thank fully they did eventually decide I was alive! I really enjoyed this project, the staff were all very supportive and the children very enthusiastic so the day flew by (pun fully intended) and I think the finished work is a great reflection of the hard work that the students put in.