Life Drawing 4.2.19

Layered continuous line drawings

It's hard to believe but we're already in to the second month of the New Year. I wrote in my last post about Life Drawing that having changed the day to a Monday meant I had more energy for the sessions. That wasn't so true for this session as it had been a very long day at work but by the end of the session I definitely felt calmer, even though I was very tired.

Blind drawing

Continuous line drawing

Continuous line drawing

I find Life Drawing endlessly fascinating because it's so different every time; depending on the model, the artists who attend and so many other factors it's never quite the same. Each model has their own way of working and this is one of the biggest factors that affects the sessions. Our model for this session had lots of poses planned and sketched out and it was interesting watching him choose and adapt which poses to use throughout the session. There were also some impressive props, including a large sword (I bet no one argued with him on his way home!)

Layered blind drawings

Layered blind drawings

Layered blind and continuous line drawings

I wasn't particularly pleased with my drawings this evening but I enjoyed the actual drawing process. The poses were quite challenging, providing some really interesting shapes and I had to work hard to try capture them (with varying degrees of success.) I use blind drawing (not looking at my drawing at all, only at the model) to help me understand each pose and I find that the drawings that come after the blind drawings are generally more accurate as I've given myself chance to properly observe what's there.

Continuous line drawing

Blind drawing

Blind drawing

Life Drawing gives me the chance to just enjoy drawing; I don't think too much about what I'm doing or what it looks like. I spend much more time looking at the model than at my paper and letting the drawings emerge. Because it is so time limited I feel like I want to make the most of it and get as much information down as I can as in a couple of hours the model will be gone (home, not gone forever you understand.)

Continuous line drawing

Continuous line drawing

Continuous line drawings

It was good to have some new faces this evening as well, having run these sessions for so long now it's great having a mix of people that I now know quite well as well as new people who come in and give a fresh perspective on things. The next session is Monday 4th March, let me know if you want to join me!

Continuous line drawings

Continuous line drawing (pencil)

Continuous line drawing

Flutter by, Butterfly: Dissolving Fabric and Machine Embroidery Workshops

Butterfly Brooches
Machine embroidery on water-soluble fabric 

When I first got really interested in textiles as an art form (in my early teens) I was fortunate enough to be introduced to a whole range of exciting media and techniques by a relative undertaking their City and Guilds qualification. She was very generous with her time and materials and I still use a lot of what she taught me today. One of the things I was introduced to was water-soluble fabric. Not very helpful for fabric to dissolve in water you might think but artistically it has many possibilities; particularly when combined with another of my passions which is free machine embroidery.

Creating leaves with machine embroidery on water-soluble fabric 

Creating leaves with machine embroidery on water-soluble fabric 

Leaves created with machine embroidery on water-soluble fabric 

I've always been fascinated by transparent and lacy fabrics and water-soluble fabric enables me to create intricate, unique fabrics and pieces with embroidery. In essence the process is very simple; draw with the sewing machine onto the water soluble fabric (making sure the stitches all join up) and then dissolve the fabric in water, leaving the delicate tracery of stitches.

Small bowl created with machine embroidery on water-soluble fabric 

Small bowl (detail) created with machine embroidery on water-soluble fabric 

It's a material and a technique that I've returned to repeatedly over the past 20 years (writing that makes me feel very old) and I'm still fascinated by the challenge of using it to create a self supporting and unique textile. Towards the end of last year I was asked if I wanted to run some workshops that expanded on the skills I teach in my basic machine embroidery workshop. Working on water-soluble fabric immediately popped into my head and over the past few weeks I've finally had a chance to get up into my studio and work up a few samples and ideas.

Work in progress

Camberwell Beauty
Machine embroidery on water-soluble fabric

When designing workshops it's often helpful to have a 'finished object' outcome and this technique lends itself really well to making textile jewellery. With this in mind I decided to develop some brooches (a good one size fits all object) and decided that the beautiful jewel like colours of insects, specifically butterflies, would be a good subject matter. So, I got out my books, my sewing machine and my threads and I started creating.

Adonis Blue
Machine embroidery on water-soluble fabric

I've really enjoyed making my little flock, refining my technique and thinking of how I will share this with participants. I want my workshops to be 'jumping off points.' I want to share my skills and knowledge but more importantly I want to give people the confidence to take what I've learnt and bend it to their interests and to take it further, try things I've never thought of and see where it could lead.

Large White
Machine embroidery on water-soluble fabric

Butterflies
Machine embroidery on water-soluble fabric

If this has sparked your interest and you'd like to join me to learn the techniques I've used to create my butterflies and to have a go at making your own unique textile piece then I will hopefully be running a workshop at Holm Sown, Castle Douglas on 15th February (TBC) and one at The Eden Workshop, Plumpton on 3rd April (TBC.) Please contact the respective venues for more details and to book a place. I hope to see you there!

Purple Hairstreak
Machine embroidery on water-soluble fabric

Life Drawing 7.1.19

Pen, continuous line
7.1.19

I didn't get around to blogging about last months life drawing session but it's a new year so I thought I'd start again! A few months ago I changed my sessions from a Tuesday evening to a Monday evening as it fitted in better with my work schedule and I'm so pleased I did. I find I'm less tired as it's the beginning of the week and I've been working in the same place all day so haven't had the stress of having to get to a different venue. All this means that I can settle into my drawing much faster and enjoy the sessions more.

Left handed drawing
7.1.19

Left handed drawing
7.1.19

Blind drawing
7.1.19

As often happens during the winter it was quite a quiet session with several of my regular artists unable to make it due to illness (get well soon all of you!) However, sometimes it's nice to have a quieter session and it gave us the opportunity to move around a bit more. We all tend to have our 'place' that we go to each session so sometimes when it's quieter people feel a bit more confident to move and try a different spot.

Pen, continuous line
7.1.19

Pen, continuous line
7.1.19

Pen, continuous line
7.1.19

I really enjoyed my drawing this session, in all aspects of my work and life I've been trying to be more mindful and focus on what I'm doing rather than trying to think of a hundred things at once. I think drawing is a very good mindful activity anyway, as I've written about before. I very much value my drawing time, it gives me an opportunity to focus solely on looking and drawing, keeping other thoughts at bay. It is also a multi sensory experience, the feel of the paper and the flow of the ink, the sound of the pen as well as the obvious visual information. I always feel much calmer after drawing, it's a chance to slow down and escape even if only for a short time.

Pen
7.1.19

Pen, continuous line, layered drawings
7.1.19

Pen, continuous line
7.1.19

Currently I have two lots of cartridge paper that I use for drawing; a perfectly serviceable mid weight paper and a much heavier and better quality one. By chance I picked up a stack of the heavyweight paper for this session and I was surprised by how much of a difference it made to my enjoyment of the drawing process. I've always strongly believed in using quality materials and working on this paper really is a much nicer experience than using the lighter stuff. I don't know that it made a great deal of difference to the quality of my drawings but in some ways the finished drawings are almost incidental; it's the process that I find most important.

Pen, continuous line
7.1.19

Blind drawing
7.1.19

Pen, continuous line, layered drawings
7.1.19

I'm continuing to enjoy layering up my sketches, creating some odd compositions but also some interesting shapes. I worked all in pen this session but last session I played about a bit with charcoal and maybe I'll have another go at that next time...

Pen, continuous line
3.12.18

Pen, continuous line
3.12.18

Pen, continuous line
3.12.18

Looking Back and Looking Forwards

Like all years 2018 had its ups and downs, although it felt like a lot more downs than ups to be honest! I haven't really felt like writing much on the blog at all recently and I haven't felt like doing my usual end of year reflection post so instead I've put together a couple of little slideshows of some of the things I've been up to this year. It's been a good chance to look back over all the good things from the year and some of the great projects I've been involved with. I'm starting this new year full of inspiration and positivity and am looking forward to a happy and creative 2019.

The first video is a mix of work I've made, exhibitions I've been part of, other things I've made and publications. The year started off really positively with an exhibition at RSPB Geltsdale and other highlights included having my Shadow-work tutorial published in Be Creative with Workbox magazine, the Embroiderers Guild '100 Hearts' project and exhibiting with Decorum at Farfield Mill. I had a bit of a creative slump in the second half of the year but I feel like I'm back on the up now with lots of new ideas to try out this year.

The second video is a mix of the workshops I've run and the projects I've been involved with through my roles at Heathlands and Prism Arts. My favourite project has to be the Processions banner made with a group at Prism Arts, both the making and the procession itself far exceeded my expectations and it was a real pleasure to work with everyone in the group. This years Heathlands quilt was also a lot of fun and I've run lots of workshops where I've met lovely people, been inspired and seen great work being created. Here's to more exciting collaborations for 2019!

One of the things I've definitely got better at over the past year is living in the moment more and enjoying things more. If I have a new years resolution it's this; to enjoy the simple things and not worry so much about the bigger picture. Here's to a happy, peaceful and creative New Year for us all!

Changing Impressions: Remembrance Workshops at Cumbria's Museum of Military Life

Objects and samples ready for the workshop

Earlier in the Summer I wrote a couple of posts about projects I've been involved in connected to the centenary of the end of the First World War. One of the projects I've been involved with was designing and delivering a drop in workshop (two actually) for Cumbria's Museum of Military Life as part of their Remembrance 100 programme.

Stitching

Making a rubbing

Adding stitching

In all honesty drop in workshops are not my favourite; the activity needs to be accessible and achievable in a very short time frame but should also be able to be extended if visitors want to stay, you never know how many people you're going to get and a lot like busses participants tend to either not turn up at all or all come at once! However, they are a great way of getting people in to museums and offer an easy way for people to participate which I do think is a really good thing.

Exploring colour

Rubbings and stitching

Adding stitching

Memory and how it changes over time is a theme I'm currently exploring in my own work so I was interested in creating a workshop that looked quite broadly at remembrance; what it means to remember and how that changes. (I wrote a bit about this on my post about the Remembrance 100 exhibition if you're interested to read more.) I'd also been asked to give the workshop a textiles focus, which was good for me as of course I love working with textiles.

Getting involved

Getting involved

Getting involved

I decided to create a workshop called 'Changing Impressions.' Using fabric crayons and cotton fabric I encouraged participants to make a rubbing of an object, creating an impression of it. If they wanted to they could then further embellish their rubbing with stitch. The idea was that by taking a rubbing from the object you would create an impression of it; it's from the object and bears a resemblance to it but it's not the same in the same way that our memories of things are not the same as the actual things (or events.) Further embellishment further changes the memory of the object imprinted on the cloth, just as each time we revisit a memory it subtly changes.

Workshop results

Workshop results

Workshop results

I really enjoyed running the sessions, both were well attended and what I loved was seeing participants, particularly the children, become very engaged in what they were doing and focusing on the process. In our increasingly fast paced world I think it's increasingly important to find time to stop, slow down and properly engage with an activity, especially one that uses the hands. I think I created several converts to hand embroidery, more than one child was heard to ask if they could go and buy threads to do some sewing at home. It was also lovely to see family groups sit and work together, supporting and encouraging each other and creating memories as well as exploring them.

Workshop results