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Showing posts with label embellish. Show all posts
Showing posts with label embellish. Show all posts

Thursday, 5 July 2018

Pictures with Fabric and Thread at The Eden Workshop

Building up an image of wildflowers using fabrics, lace and stitch

Recently I ran a new workshop at The Eden Workshop called 'Pictures with Fabric and Threads.' I had five lovely participants on my course, several of whom had been on workshops with me before. It's always nice when people come back for more, it's a good confidence boost! I'm always pleased to be asked to run courses at The Eden Workshop, it's a lovely friendly and relaxed venue and my participants and I are always well looked after and fed. There is also a great supply of materials and bits and pieces to satisfy my inner magpie.

My sample: layered fabrics, trims, beads and hand stitch

My sample: Lace, fabrics and machine and hand embroidery

Creating texture with layers of fabric and 'stitch and slash' techniques

Stitch and slash sample

The session came about as I'd already run several workshops here and Jane and I were thinking of new ideas. I really love playing with fabrics and textures so that was the starting point; a workshop that would give people an opportunity to experiment with different fabrics and threads to create a unique piece of textile art. When I'm teaching my main aim is to help people discover their own creativity and style, I hope I can give people the confidence to try something and follow their own ideas as well as teaching them specific skills.

Creating a plan to work from

Creating a plan and selecting materials

This workshop was a good chance for me to experiment and test a few techniques out too. Much of my work, particularly the bird portraits, focuses on one element (usually a bird) and rarely features backgrounds so for this workshop I looked at creating work that covered the whole of my base fabric. I take a lot of photographs, often of landscapes, as colour references and I decided to use some of these as inspiration. It was good working in a slightly different way as it allowed me to take processes I'm familiar with, such as layering sheer fabrics, and use them to create different effects. I was also very proud of myself for managing to create some smaller scale work!

Building up texture with different fabrics and layers

Building up texture with different fabrics and layers

Building up texture with different fabrics and layers

I also used this session as a chance to experiment a bit more with the sewing machine, looking at creating different 'stitch and slash' textures with layers of fabrics and trying out some of the more decorative stitches that I rarely use but which I thought would be good to incorporate into our designs. I thought this would give participants a chance to get to know their machines better and make use of more of the stitches available.

Building up backgrounds

Building up backgrounds

Building up backgrounds

During the workshop I encouraged my participants to pick an image and look at slightly abstracting or simplifying it by creating very rough sketches. Once we'd done this I then encouraged them to get stuck into the fabrics and materials and to pick a selection that appealed to them and suggested the textures they wanted to create; such as layers of fabric and lace for water or tweeds for fells. We then worked up our pictures in layers and added details with yarns, trims, beads and other embellishments.

Adding detail with yarn and beads

Adding detail with yarn and beads

It was a really enjoyable session to run. Everyone had different ideas and it was great seeing the pieces come together over the course of the day. Everyone had a go at the stitch and slash technique but because of the different materials they'd chosen and designs they'd created we got really varied effects. I always find this the most exciting thing about workshops; how people can take the same materials and techniques but use them so differently. I find this very inspiring and always go away from workshops full of ideas and eager to try new things!

Building detail with different textured fabrics

Adding detail with trims and beads


Thursday, 14 August 2014

All that glitters is not Gold

All that Glitters is not Gold,
Screen print and embroidery
2014

I have recently finished another magpie piece, this time using screen printing and hand embroidery. After I had made my last magpie embroidery (Hail to the Thief) I carried on drawing magpies and playing around with ideas connected to them and found that I had lots of other pieces of work I wanted to make and develop. I think that there may before too long be a whole series of magpie based art works! 


Magpie screen print on fabric

Magpie screen print on black paper

Screen print detail (fabric)

Usually when I work on a piece I begin with drawings and an idea which I then sketch and write about until I have a rough outline (at least in my head) of how I am going to make the piece. This piece was slightly different, although it did begin with drawings. I was doing some 1:1 work with an emerging artist and we were exploring screen printing; partly to demonstrate with and partly because I just really like screen printing I made a three layer stencil of a magpie. I wasn't originally going to add much stitch but once I started I felt that I really wanted to make a heavily embellished piece with lots of texture and colour. 


Getting started

Leg detail

Building up the colours

I choose the colours and stitches as I went along, referring to my drawings and photos for guidance and frequently unpicking areas if they were not as I wanted them. I wanted to use rich, precious threads for the magpie so a lot of the threads are silk and are hand dyed. 

Foot detail

Head detail

Wing detail

As the last magpie piece had come from the starting point of silver and my ideas have been revolving around the odd relationship we have with magpies (they are surrounded with superstitions and suspicions; we call them thieves yet we also salute them, berate their penchant for shiny trinkets but admire their glossy and iridescent plumage) I decided to perch the magpie upon a pile of pretty, but essentially worthless, pearls and crystals. None of the pearls or crystals are 'real' and most have been reclaimed from old necklaces. This use of 'fake' materials brings up questions of authenticity and how we place value on things. As I work in an often maligned medium these questions are central to my work. 

Sunday, 23 June 2013

Creative Wellbeing: Tote Bags

Getting stuck in!

On Saturday I ran a session on making and decorating Tote Bags as part of the excellent Creative Wellbeing Project at Carlisle's YMCA Shaddongate Resource Centre.

Ready for the group

Funky fruit

Preparing embellishments

It was a really nice session with a lovely group of people who all made beautiful bags. Most of the materials were either from charity shops or my own wardrobe so it was great to see them being given a new life. Everyone came up with different ideas and designs and created something unique and personal.

Rubbings from print blocks

With fabric paint additions

For a colourful creation

Bright and cheerful

Sewing and pressing

A cheery boat

A cute owl

Owl detail