Rust and Red: Adventures in Colour and Remembering

Memory Cloth (For Cathy)
Rust dyed fabrics, hand embroidery, feathers and found objects
2018

Over the course of this year I've been involved in a number of projects connected with the centenary of the end of the First World War and Remembrance. When I first began getting involved with these projects I wasn't really sure how my work would connect; military history isn't really my thing. However, the more I thought about it the more I realised that actually there are a lot of connections, particularly with the remembrance element of the centenary.

Memory Cloth (For Cathy)
Detail

Memory Cloth (For Cathy)
Detail

Memory Cloth (For Cathy)
Detail

Memory is one of the themes that I'm interested in exploring in my work, in particular the way that it changes over time and the way that objects, especially textiles, hold memories. One of the reasons I like to work with natural dyes is that they are a way of preserving a memory of that resource in cloth and I also like the way that the colours can change and shift over time, they remain beautiful but they change subtly and slowly just like our memories.

Memory Cloth (For Cathy)
Detail

Memory Cloth (For Cathy)
Detail

Early on in the year I began work on a piece in memory of a particular person; Cathy. A member of Cumberland Embroiderers Guild and a very talented stitcher Cathy was always so enthusiastic and encouraging and always wanted to hear about my projects. When she died her son asked me to help sort through her extensive stash, dividing it up amongst the charities I work for. I kept a few of her unfinished samples and the needles and pins that were too rusty to use. I wanted to create a piece of work that would celebrate her life and provide a way of remembering her.

Work in progress on Memory Cloth

I used the rusty pins and needles and a small pair of her rusty scissors to dye and print some fabric. I then assembled this dyed fabric along with some of her unfinished samples, feathers and various other bits and pieces. I joined these pieces with lines of stitch, representing her journeys through life and connecting all the different elements together.

Silk dyed with cochineal

Wool, cotton and linen dyed with cochineal

Linen, cotton, wool and silk dyed with cochineal

The finished piece was exhibited at Farfield Mill as part of the Nostalgia exhibition earlier this year and then again as part of the Cumberland Branch of the Embroiderers Guild exhibition at Tullie House in September. I like that the piece could be both personal (as it was when shown in September) or more general (as it was in May) but either way I found people could connect with it and find their own stories, memories and interpretations within it.

Flow: Red
Naturally dyed fabrics, feathers, sequins and hand embroidery
2018

Every two years Cumberland Branch of the Embroiderers Guild holds an exhibition (as mentioned above.) This year our theme was Red and the Chairman's challenge was Poppies, to tie in with the centenary and remembrance events. Although I use touches of red in my work it's not a colour I'm very confident with, I lean more towards cooler colours like blues and greens. However, I wanted to create a piece for the exhibition and, handily, earlier in the year I'd been doing some dyeing with cochineal so had quite a few bits of naturally dyed fabric ready to use.

Flow: Red (detail)

Flow: Red (detail)

Flow: Red (detail)

Inspired by the pieces I'd made for Remembrance100 at Cumbria's Museum of Military Life and the piece I made in memory of Cathy I decided to make one of my mini banners, as I call them. I wanted red to be the main theme but I also added touches of gold to hint at the preciousness of life but also as a nod to military regalia and medals. I also wanted the piece to reference poppies and remembrance so I incorporated black and red sequins. As always I included feathers as in my work I use them to represent us and because I wanted this piece to be part of my 'Flow' series, which explores the flow and change of life and memory.

Flow: Red (detail)

Flow: Red (detail)

Although quite different to my other pieces I like this piece, it is much bolder and less subtle and it was interesting working with such a strong colour. I found it very challenging as often it felt too much but I'm happy with how the different elements have eventually come together.

Somme 100: Poppy Patterns

Work in progress on patterns

I love the diversity of my work, I love the different opportunities that come my way and the chance to work with lots of different organisations on different projects. I have just finished designing two patterns for Cumbria's Museum of Military Life, which records the history of Cumbria's County Infantry Regiment. The patterns I have designed are a knitted poppy and a crocheted poppy.

Working on the train: Trying different shapes

The patterns are available on the museums website and are part of a larger project commemorating the centenary of the Battle of the Somme. The aim of this part of the project is to create a knitted or crocheted poppy for each soldier of the Border Regiment who died during the Somme. The poppies will be displayed from the windows of the museum building, each month more poppies will be added to the display, corresponding with the number of men who died that month in the Somme 100 years ago.

Knitted Poppy

Detail

In total the museum are aiming to make 1700 poppies. It is very difficult to know exactly how many people died and when they died. A soldier may have been injured during the battle and died from his wounds many weeks or even months later. There were also of course other Cumbrian's not in the Border regiment who died in the Somme but in order for the project to work there has to be some parameters. I hope that rather than getting caught up in agonising over exact numbers people will recognise that a huge number of individuals lost their lives and each of those lives was significant and this project commemorates them all.

Crocheted Poppy

Creating these patterns was surprisingly challenging, not because they were difficult to make but because part of the brief was to make the patterns accessible to beginners. I spent a lot of time stitching and un-stitching trying to get a shape that worked but that would be easy to re-create. Hopefully I've managed that but we will see! As part of my efforts to keep the pattern simple I chose to use the stylised shape of the poppy used by the British Legion.

If you'd like to get involved with the project please contact the museum, there are a lot of poppies to make!