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Showing posts with label rubbing. Show all posts
Showing posts with label rubbing. Show all posts

Sunday, 28 February 2016

Fabulous Frottage and Beautiful Birds

This post was written late last year, I was hoping to get some pictures of the finished display but haven't been able to yet and I want to move this out of my 'drafts' list!

Beautiful collaged birds

It's always nice to be asked back to places and so I was very pleased when Stoneraise School contacted me to ask if I would come and work with them again. Last year I did a felt making session with some of Key Stage 1 which was a lot of fun. This year I was asked if I could work with all the KS1 children to create a display in the school. I worked with Years 1 and 2 in the morning and Reception in the afternoon. The difference between the two groups was very noticeable, although both groups produced some fabulous work the level of concentration and dexterity was quite marked.

Experimenting with frottage

Experimenting with frottage

Experimenting with frottage

After some thinking and plotting I decided that a display of birds would be good, probably largely influenced by my own obsession! I wanted to give the children the chance to experiment with media and techniques in ways they maybe wouldn't usually and I wanted to produce a project that all the students could participate in and create something they would be proud of. This lead me to create quite a simple frottage and collage project that would allow the children to explore colour and texture using familiar materials in a different way. Using basic materials (sugar paper, card and wax crayons) the aim was to create an exciting display the children would enjoy making.

Creating feathers from our frottage

Creating feathers from our frottage

Creating feathers from our frottage

In an ideal world where budgets are not so tight I would have liked to work with the children to create their own drawings of birds to collage but as time and resources were limited I decided to create a couple of bird templates for the children to use. The first step was to look at texture, I introduced the students to the idea of creating texture on paper using frottage and set them off to explore their classroom and find different surfaces to take rubbings from. I asked the children to create at least two sugar paper sheets full of rubbings and to think about what colour crayon to use on their chosen colour of paper. After some initial hesitation the class was soon full of children taking rubbings from every available surface and proudly sharing their findings.

Collaging the feathers on

Collaging the feathers on

Collaging the feathers on

The next part of the project involved making a bit of a mess and so was one of my favourite bits! I asked the students to rip their pieces of frottaged paper into small pieces to make feathers for their birds. For some of the children this was really difficult. They didn't, understandably, want to destroy what they'd spent time and energy making. With a bit of reassurance and encouragement, however, all the children created a pile of 'feathers' ready for the next stage.


Collaging the feathers on

Collaging the feathers on

Having created the 'feathers' for their birds I next asked them to choose a template, I'd prepared a sitting bird and a flying bird expecting that  most of them would go for the flying bird. I was surprised how many went for the sitting bird but pleased as I thought it would help balance the finished display. I then demonstrated how we could use our bits of paper to build up layers of feathers, just like on a real bird, and set them to work covering their templates.

My samples

Sitting bird sample

For almost all my workshops I make and show samples and usually demonstrate as I go along, I've found it to be really helpful as often it is a lot easier to understand something if you can see it and hopefully participants find it quite inspiring.  Some practitioners prefer not to prepare examples as they do not want to overly influence the work of their participants and in certain settings I think this is a wise approach. However, I find in most cases participants respond better if they have something tangible as an example of what they might be aiming for and I find that with the right support and encouragement 'copying' is fairly limited.

Finished birds from the morning

Finished birds from the morning

Finished birds from the morning

Finished birds from the morning

Having covered their birds with their paper feathers I then unleashed the wiggly eyes and dyed feathers for the children to finish off their birds with. I was so impressed with some of the finished birds and the concentration and effort some of the children put in was great to see. I always think it's a good sign when they all ask if they can take their work them home with them!

Finished birds from the afternoon

Finished birds from the afternoon

Another aspect of working in schools that I'm starting to develop more and more is giving the students the chance to see how being an artist works 'in real life.' I explained a little bit about my work both in terms of running workshops and the work I produce and it was a nice ego boost that when I went back into Years 1 and 2 to say goodbye at the end of the day they were looking at my website and talking about my work. There was also a very funny discussion with reception about whether I was a dead artist, like Van Gogh who they'd been studying, or an alive artist. Thank fully they did eventually decide I was alive! I really enjoyed this project, the staff were all very supportive and the children very enthusiastic so the day flew by (pun fully intended) and I think the finished work is a great reflection of the hard work that the students put in.

Wednesday, 28 October 2015

Lovely Leaf and Lino Printing

Leaf Prints hanging in the studio

My Prism Arts Studio Theatre crew and I found ourselves with a few 'odd' weeks; we are still touring 'Raining Trolls and Dragons' and so didn't want to make a start on a new production (as I will get confused) but we wanted to make use of our time. So, I thought this would be a good opportunity to do some skills workshops.

Leaf rubbings

Leaf rubbings

Leaf rubbings

Often we have deadlines to work to so we are not always able to play around with ideas so by doing a series of skills workshops I hope to give the guys a set of techniques they can use next time we come to produce a piece, we will already have a good idea of what might work well.

Printing with leaves

Printing with leaves

Printing with leaves

As we are having such a glorious autumn I thought that leaves would be a good starting point. This gives us something tangible to work with and explore different techniques and will hopefully give the work produced a bit of coherence as I would like us to have a small, informal exhibition at the end of term.

Prints strung across the studio

We started off by going out into Tullie House Gardens (which are right next to our studios) and collecting lots of different leaves. I asked the guys to look for different shapes and textures as well as colours. We gathered an amazing range which was really interesting when we came to use them for printing. Our first activity was to take some rubbings of the leaves. This is an easy and fun activity but can produce very beautiful results. I encouraged people to think about whereabouts on the paper they were doing their rubbings as well as what colours to use.

Lino printing

Colouring the print plate

The next step was to print with the leaves. We used acrylic paint and calico and as before I asked the guys to think not only about colour but also layout and combining different shapes. It was great to see how people approached the printing in different ways and the different results that were achieved. It was also interesting seeing which leaves worked best and watching the group share this information with each other. At the end of the session we hung the prints up to dry and they looked so beautiful strung across the studio.

Lino printing

Print on paper

Building on the leaf printing for the next session we looked at lino cuts. I love the textures and qualities of lino cuts and thought it would be a good opportunity for the guys to develop their work from the previous session. We again began by collecting leaves and then made drawings from the them. These drawings were transferred onto the lino and then carved by myself and the other staff members (lino cutters are sharp and I'm not good with blood!)

Lino printing

A used printing plate

The guys were then able to use their lino cuts to make a series of prints on both paper and fabric. I found it very interesting seeing the different approaches to colour, some people wanted to add layers of colour immediately whilst other people wanted one uniform colour. Both approaches worked well and like last session the range of prints produced was very impressive. It also got me really fired up to do some lino cuts of my own!

A collection of prints

A collection of drawings and prints

Over the next few weeks we will be continuing to explore different techniques including some more printmaking and some paper-making. I think this is a great opportunity to not only develop technical skills but also for the group to have some time to develop more personal ideas and approaches to making work.

A collection of drawings and prints

A collection of drawings and prints

Monday, 1 April 2013

Easter Antics

Owl woodblock

I've been having a nice rest over the bank holiday weekend as I was totally worn out (and I want to be rested for my holiday in just over a week!) However, that doesn't mean I've been sat on my elbows doing nothing. I've been working on finishing the James Rennie rag-rug, preparing lessons and workshops and doing a bit of printing and stitching.

Patterned woodblock

Patterned woodblock

The continental markets were in Carlisle this weekend and I got myself some lovely woodblocks. They look lovely in themselves and they make great prints, it's a win-win. I was just going to buy the two patterned blocks and a little elephant but having handed over my money I spotted the owl and decided I needed him!  Today I have been using him to print t-shirts (pictures to follow) and then I started experimenting with doing rubbings using fabric crayons. I didn't think it was going to work too well but I was pleasantly suprised; the colours are quite dull until you apply heat (from an iron) which makes them much more vibrant. I think these rubbings would look great with some added stitching.

Printing with the owl

Rubbings with fabric crayons

Rubbings on calico bag

The other side of the bag

I also made some cards using recycled paper. I made some basic origami shapes and then mounted them up on card to make greetings cards that are beautiful, green and simple.

Recycled newspaper and envelope card with bow

Recycled newspaper card

Recycled newspaper and envelope card