Pages

Showing posts with label show. Show all posts
Showing posts with label show. Show all posts

Friday, 13 October 2017

Sky High: Exhibition at Farfield Mill



Around about this time last year I was busy working on my first solo exhibition 'As the Crow Flies' at RSPB Geltsdale. It was a really good experience for so many different reasons. It gave me an opportunity to focus on my personal practice and an incentive to see ideas through to finished pieces and it had a huge effect effect on my confidence; creating the work and putting it all up showed me that I could create a professional exhibition on my own and the feedback I got was so positive, the exhibition was extended as it proved very popular with visitors to the site. I also sold quite a few pieces of work which is always a good confidence booster too! It was also a good opportunity to bring my work together and see what I'd done and where I wanted to go with it.



As the Crow Flies, RSPB Geltsdale 2016/2017

As the Crow Flies, RSPB Geltsdale 2016/2017

Following on from the success of 'As the Crow Flies' and feeling inspired and positive I made an enquiry at Farfield Mill in Sedburgh about the possibility of exhibiting there. Farfield Mill is an arts, crafts and heritage venue based in an old Victorian Mill. I always enjoy visiting as they have a good range of exhibitions (with a strong focus on textiles,) lots of artists studios and an excellent cafe! I was delighted to hear back that they would be interested in displaying my work and would be in touch. Not long after they got in contact and asked if I'd be interested in exhibiting this Autumn. I was a little hesitant at first as it was not long away but I really wanted to show my work at the mill so I said yes.

Farfield Mill, Sedburgh

Installing (along with work from previous show!)

I went down to visit the mill and met Anne Mackinnon who as well as being a talented artist organises the exhibitions at Farfield Mill. It was interesting talking to her, especially as we had both done the Embroidery degree at Manchester Metropolitan University, albeit at different times. It was good talking about our work and looking at the different spaces. The space that the mill wanted to house the exhibition in is the Howgill gallery, a lovely big open space with lots of light. As it was quite short notice and it's a big space Anne suggested sharing the gallery which I thought was a good idea; it takes some of the pressure off but is also a good chance to work with other artists and see how my work interacts with theirs. We looked at several artists and decided that the beautiful, moody landscapes of Daniel Cooper would be perfect. Luckily, Daniel was happy with this idea to and so we set about getting the show organised.

Exhibition Views: Cyanotypes

Exhibition Views: Cyanotypes and banners

Exhibition Views: Banners

Having an exhibition to work to is both exciting and stressful, it is very good for focusing the mind and makes you really prioritise what you have to do, especially if you are working in a limited time frame. Daniel made a beautiful poster for the show and I did something I hate doing but which is quite useful; making a spreadsheet. I catalogued all my work with dates, dimensions, prices and lots of other information, I can't claim to have enjoyed it but it's a useful thing to have!

My Magpies in the windows...
Curiosity 2016

My Magpies in the windows...
In the Shadows 2015

My Magpies in the windows...
Hail to the Thief, 2014

Installing the exhibition was surprisingly easy. The people at Farfield Mill were really friendly and helpful and the hanging system is very easy to use. The downside to the system is that it's not always easy to get pictures, particularly smaller ones, to lie flat against the wall. What I like about it though is that it's easy to rearrange and there's no banging of nails and drilling of screws.

Exhibition Views: A Drop in the Sea, 2015

Exhibition Views: Sky Collar, 2017

Exhibition Views: Flight I and Flight II, 2016

I'm really excited to be showing my work at Farfield Mill and I'm really pleased with how my work looks up in the gallery. It's also very exciting to be exhibiting with another artist and I think our pieces complement each other well. I think it works well because although our subject matter is different we share similar colour palettes and are looking at similar ideas; the natural world and our place in it and our response to it.

Exhibition Views

Exhibition Views

Exhibition Views: Daniel Cooper's prints

At the end of the month I'm running a Mini Textile Banners workshop alongside the exhibition, which can be booked through Farfield Mill. If you go and see the show I'd love to know what you think!

Friday, 16 September 2016

C-Art at Prism Arts 2016

Main Studio, C-Art at Prism Arts 2016

Rather unusually I had a relatively quiet summer, I took some time out to focus on my work and really enjoyed being in my studio and getting into my own work. I took part in Carlisle Art Fair which was a great experience for me. I met lots of interesting people, sold some work and enjoyed the whole process. Although I was tired after the show I also felt quite inspired and keen to carry on developing my practice, making it more of a priority.

Nature Climb, 2016
Katie Lock and Maddie Mould

Nature Climb, 2016
Katie Lock and Maddie Mould

Nature Climb, 2016
Katie Lock and Maddie Mould

It therefore came as a bit of a shock to the system when I came to start putting together our Prism Arts exhibition at our Paternoster Row spaces for C-Art 2016! It was one of those times when the phrase 'anything that can go wrong will go wrong' kept popping into my head. However, after a stressful week, a small amount of cursing and a lot of hard work we got the exhibition up and ready for the preview.

Drawings, John Lake, Emerging Artist (Prism Arts Studio Theatre West and Studio Arts)

Triptych, Prism Arts Creative Conversations Group

Triptych (detail,)  Prism Arts Creative Conversations Group

Prism Arts rents our studios and office space from the University of Cumbria in their Business Interaction Centre and because we're in the university's spaces we've been working with them and some of their students to provide exhibition opportunities, including a bursary which went to Katie Lock and Maddie Mould for their beautiful piece 'Nature Climb' which is hung in the stairwell of the building and we also gave our small studio to student Emeli Hartness who has created an intriguing installation based around nursery rhymes and their dark origins.

Prism Arts Studio Arts group 

Prism Arts Studio Arts group 

Prism Arts Studio Arts group 

Prism Arts Studio Arts group 

Several of the groups I work with for Prism Arts have work on show for the exhibition, including my Studio Arts group and the Wednesday Art Group at Carleton Day Centre. I find it both exciting and nerve racking installing work for exhibition, especially other people's work. I know in my head how I want to display things and how I think things should look but of course as in most aspects of real life this rarely happens and I spend a lot of time assessing alternatives.

Carleton Day Centre, Wednesday Art Group

Carleton Day Centre, Wednesday Art Group
Carleton Day Centre, Wednesday Art Group

Carleton Day Centre, Wednesday Art Group

How work is displayed is so important because it has a big impact on how viewers respond to it. I believe the work produced by our participants at Prism Arts is of a very high quality and I want to be able to show how talented these people are and that they can achieve so much more than some people expect. Giving people the opportunity to develop their creative skills allows them to find their own voice and tell their own story, rather than always having others speak for them.

Prism Arts/Tullie House: Picturing Places response work

Prism arts/St. Bede's/ Carlisle Library: Seven Stories project

Last year for C-Art several of Prism Arts artists, including myself, showed work and we had the opportunity to again this year. Earlier in the year we'd chosen the theme 'Flow' as it was nice and vague but would hopefully give a cohesiveness to the show. Not many of us exhibited this year but similarly to last year I was surprised by how well our pieces, all produced independently and without consultation with each other, fitted together beautifully. I love everything about Jan Hick's piece which embodies the theme perfectly.  I chose to show my small textile banner 'Flow: Connect' which is made from hand dyed indigo, beads and feathers and took forever to stitch!

Prism Arts artist: L-R Amanda Mudge, Amanda Mudge, Jan Hicks, Helen Walsh

Jan Hicks: Flow, Helen Walsh Flow: Connect

Flow: Connect

C-Art is on across Cumbria until 25th September with an impressive array of artists exhibiting so if you can I recommend you get out there and follow the yellow signs!

Sunday, 21 August 2016

Show time preparation...

Puffin, 2016
Applique and machine embroidery on linen

After a very busy first half of the year I was feeling a little flat in terms of my own personal practice, I'd enjoyed the projects I'd been working on but I'd not had much time for my own work. I got the year off to a good start with my daily drawing, keeping it going through January and February but as time went on things started to slide, as they do, and I lost the impetus a bit.

Assemblage, 2016
Painted wooden box and curated objects

Assemblage, 2016
Painted wooden box and curated objects

Assemblage, 2016
Painted wooden box and curated objects

One Sunday a couple of months ago I was meeting Mr. Stitches at the sports centre (not my natural habitat) and I saw a flyer for Carlisle Arts Fair. I'd been looking for a project that would give me an opportunity to spend some time developing my own work and provide an opportunity to share my work with others. This seemed like a good option as it was local, I'd been to one of the previous Fairs and liked it and I'd thought about doing this show anyway. I checked the submission details and realised that it was the last day for submissions so I went home, put together my submission and sent it off.

Memento I, 2016
Thread wrapped twig, feather, hand dyed indigo cloth
Memento II, 2016
Gold paint, twig, feathers, red velvet

Memento III, 2016
Gold paint, thread,  twig, feather, red velvet

I was very excited to be accepted and since then having an event to work towards has really helped me prioritise my own work and helped me feel inspired to get going and get working! I have so many different strands to my work as a whole that often my own work falls to the bottom of the list because it doesn't have a deadline as such so a specific event such as this is really helpful for me.

Starling, 2016
Fabric pastels and hand embroidery on linen

Starling, 2016
Fabric pastels and hand embroidery on linen

Starling, 2016
Fabric pastels and hand embroidery on linen

I've really enjoyed spending time in my studio drawing, stitching and making. These are the things I love doing and having time to devote to them has been really rewarding and made me realise that I need to make this more of a priority. It's also fired me up with so many ideas that I want to explore. I've focused on making work that is less conceptual for the Fair so I've been focusing more on skills and aesthetics which has been quite liberating as I've been less worried about what it all means. As I've been less worried the ideas have been flowing and I've got lots of avenues I want to explore.

Raven, 2016
Lino print, limited edition of 20

3 Small Feathers, 2016
Pen drawing on watercolour paper

2 White Feathers, 2016
White gel pen on black paper

I'm writing this post partly as a break from all the practical preparation that goes into showing work; labelling, pricing, mounting (so much tape) and so on but now I must get back to it. If you're in Carlisle next weekend it would be lovely to see you!

Starlings, 2016
Machine embroidery on linen

Gannet, 2016
Machine embroidery and fabric paint on linen