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Wednesday 7 November 2018

Life Drawing 5.11.18

Pen, continuous line

Another month has raced past and it's time for Life Drawing again. I was really looking forward to this session as I enjoyed last month so much. I wasn't disappointed, it was a small group but most of the artists have been coming to my sessions for a while so we know each other quite well now and we do have a laugh. One of the reasons I continue to run these sessions is because of the group of people who attend, it's a good opportunity to learn from each other, share stories and gently critique our work.

Blind drawing

Blind drawing

Blind drawing

I wrote last month that our model had lost a great deal of weight, changing her poses in interesting ways. Similarly this month's model,who has been modelling for me since I started running sessions seven years ago, has also lost a lot of weight and again there were some subtle changes in the poses he chose. I like this 'evolution' and seeing how the models change and pose differently according to how they physically look and how they feel. However, I am slightly concerned that all my models are wasting away...

Blind drawing

Continuous line drawing

I struggled with getting the proportions right in this session, I don't know whether that was anything to do with the fact that I've drawn this model a lot so there was maybe an element of drawing what I thought should be there rather than what was or because I was just struggling with proportion. I think probably a bit of both. I tend not to worry too much about proportion and to just try and work it out through 'blind' drawing and by repeatedly drawing the pose until I get it right. I draw quickly and I try really hard not to overthink my drawing and to let it flow. Sometimes this works and sometimes it doesn't but it's interesting to look at afterwards and see the bits that went well and not so well and to try and work out why.

Multiple drawings

Layered blind drawings

Layered drawings

In this session I also looked at layering up my drawings a bit more, rather than move on to a new piece of paper for each new sketch I tried to work up multiple drawings of the same pose on one sheet of paper. I like the interesting compositions and strange juxtapositions working like this can create. It's not really planned so it does sometimes turn out to be a little odd. I also worked in more than one colour and again I like the way the drawings interact with each other, it adds a bit more definition rather than just becoming a jumble of lines.

Blind drawing

Multiple sketches

The next session is Monday 3rd December and I'm already looking forward to it!

Continuous line drawing

Thursday 1 November 2018

Back in the studio...

Dipper
Machine embroidery and fabric paint on cotton. 2018

Over the past couple of weeks I've been able to get back into my studio a bit more and it feels really good to be working there again. We've had quite a stressful few months for various reasons and I haven't had much time to focus on my own practice. I had a look back through my book of knowledge (the notebook that contains all my thoughts, to-do lists, projects, ideas and so on) and I kept seeing 'need more time for my work' so I'm really pleased to finally be able to spend a bit of time on my own practice.

Dipper (detail)
Machine embroidery and fabric paint on cotton. 2018

Dipper (detail)
Machine embroidery and fabric paint on cotton. 2018

Mr. Stitches and I try and go for a walk every day as it has so many benefits for both mental and physical well-being and on one of our evening walks last week we saw three dippers together. I often see them along the river but usually only one at a time. I'd been thinking for a while about doing a dipper portrait and seeing them on our walk prompted me to actually get on and do it. I decided it would be a good project to get myself back into working in my studio.

Design drawing

I began by drawing out my dipper, I only make portraits of birds I've seen because it's important to me to observe and then capture a bit of their character rather than just what they look like. I love the way the dipper moves and the way it suddenly disappears underwater, it always seems as if it's been swept away but then it pops up again, fine and unharmed. To create my drawings I do use photographs and reference books as well as any quick sketches I've made whilst watching the bird to supplement my memory of the bird.

Work in progress

Work in progress

I then used my sewing machine to 'draw' my dipper onto fabric. I started with a black outline and then added some hints of other colours. I didn't want to put a background in, as I very rarely do, but I did want my dipper to have something to perch on so I added a rock and some swirling water so it wasn't floating in space. At this point I hadn't decided whether or not I was going to add any applique or paint; I was keen to experiment a bit with paint and in the end this is what I decided to do.

Rook
Machine embroidery and fabric paint on linen. 2016

Often when I use fabric paint I use the paint first and add the embroidery over the top but for this piece I wanted to do the reverse. I made a portrait of a rook a couple of years ago using this technique and I've been thinking about experimenting more with it recently. I wanted the result to be quite watery and for the colours to bleed out into each other and the background. I wanted to do it this way partly to evoke the watery world of the dipper but also to suggest the fragility of the bird and it's environment; our wildlife and environment are under so much pressure and I wanted to comment on this.

Sketches, books and work in progress

From sketch to drawing to finished piece

I really enjoyed making this piece, although at several points I considered abandoning it as it wasn't going quite as I envisaged. I'm pleased with the way the fabric paint has worked and I think this might be an interesting idea to explore further in other pieces. As an added bonus I received a message asking if the piece was for sale after I posted a picture on Facebook. It's always a nice confidence boost when someone wants your work on their wall and I'm delighted that the dipper will be going to a home where it will be appreciated!