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Showing posts with label feather. Show all posts
Showing posts with label feather. Show all posts

Sunday, 7 January 2018

Creative Beginings


The Dark and the Light, 2018

As in previous years (see here and here) I decided to start the year creatively by making a postcard for Surface Gallery's annual International Postcard Show.  I really like this project at the start of the year as it's small and achievable so I can begin the year with that cathartic sense of having finished something!

The Dark and the Light, 2018
Detail

Last years postcard
ended being a bit of a turning point for me, it gave me the confidence to pursue a way of making I'd been dabbling with and have ended up developing a lot over the last year. It's also one of the first pieces I felt confident enough to write about more openly in terms of meaning rather than just techniques.

Feather, 2018

This years postcards continue my feather drawing explorations and use of collage. I've been doing a lot of drawing on tracing paper as I like to exploit the transparent qualities and both postcards feature feathers drawn on tracing paper, one of which I've used 'wrong' side up. For the collage I've used some of my handmade paper as well as bits of gold paper and my handmade silk paper.

Feather, 2018
Detail

The first postcard is called 'The Dark and the Light' and reflects my interest in contrasts and dichotomies. There are two sides to every story so they say and it's good to know both sides before making any judgements or decisions. The second postcard is simply titled 'Feather' and features a single feather embellished with hand embroidery. I'm a bit sad we've left 2017 and moved into 2018 because the number 7 is a heck of a lot easier to stitch than an eight. And on that philosophical bombshell I shall leave you, until next time...

Stitched signature

Sunday, 4 June 2017

Feather Sketchbook

Sample detail from Feather sketchbook

I recently posted about the folding sketchbooks I like to make and following on from this I thought I'd share one of my finished sketchbooks with you. I worked on this book early this year and it's an exploration of feathers.

Work in progress

Words associated with feathers

Paper cutting experiment

Like most of my sketchbooks there is a combination of drawing, sampling and writing, both about ideas and about feathers directly. The sketches are mixes of observational drawings and ideas of pieces of work I'd like to make or am thinking about making.

Partially opened up sketchbook

Front cover (cyanotype and stitch)

Front cover (detail)

Working in a sketchbook allows me to collect all my thoughts and ideas together and to try things out. A lot of the textile processes I use are very labour intensive and time consuming. Testing out ideas on a small scale in my sketchbook can often mean that I can work out whether an idea will work and whether it's likely to be worth investing the time and energy or not!

Page details

Page details

Page details

Page details

I'm not generally precious about my sketchbooks, this means that I tend to be willing to try things out and not worry too much. Working in this low pressure way can often mean that new ideas pop up which I then have the option to explore or record and come back to.

Sketchbook Pages

Sketchbook Pages

Sketchbook Pages

Sketchbook Pages

Sketchbook Pages

Sketchbook Pages


Monday, 2 January 2017

Ready to Fly

Ready to Fly, 2017

I wrote in my last post that my aims for this year included prioritising creativity. To that end I have started the year off with a small submission project. I have taken part in Surface Gallery's International Postcard Show three times before (2013,14 and 15) but didn't take part last year for reasons I can't really recall. I really like this project as it is small enough to fit in around even a busy schedule but there is still the satisfaction of making a piece of work and knowing it will be on show.

Ready to stitch

Layering Fabrics

Last year I really enjoyed working on my feather and textile pieces so I decided to continue working in this way for my postcard. I feel like I'm starting to really develop a personal vocabulary working in this way, with particular colours, stitches and fabrics signifying specific things. It doesn't matter whether or not this vocabulary is understood by other people, it is part of my creative process and way of exploring my ideas.

Detail

Detail

In my recent work birds (and feathers) have become a symbol of transcendence, a belief found in many cultural systems across the world due to their ability to fly into the heavens. In this piece and in other recent pieces the blues represent the sky and freedom, the feather symbolises the soul and the red symbolises life. For me this piece is about spreading your wings and rising up to meet life's challenges.

Detail


Detail

I used a piece of felted wool blanket as a base and layered it up with pieces of silk organza. All the fabrics I used were ones that I'd dyed with indigo. I used a combination of fly stitch, running stitch, seeding stitch and beading to hold the layers together. I love the way the stitches sink into the felted wool, creating another layer of texture. I'm pleased with how this piece has worked out and it has got my new year off to a creative and positive start. If you're in Nottingham the show is on from 14th January to 11th February.

Detail

Friday, 6 May 2016

London Calling

Seagull Sculpture (with yarn bomb)
Limehouse, London
At the end of March Mr. Stitches and I headed down to the great metropolis to see his siblings. I hadn't been to London for ages, over six years, so I was looking forward to going and seeing some of the galleries and exploring the city. We had a great trip; good company, nice walks, intriguing sculptures and excellent exhibitions. I got to have a wander around the V&A which I always enjoy (so much to take in, I only ever try and tackle one or two galleries per visit) and we visited a rooftop garden at the new Crossrail station.

Little head sculpture
Limehouse, London

The view from where we were staying


Tower Bridge

Whilst we were in London I really wanted to go and see the Alexander Calder: Performing Sculpture exhibition at Tate Modern and I wasn't disappointed. The show was even better than I hoped, I came away full of ideas and really inspired by both his work and his approach. I could have spent many more hours in there but did get chance to sketch some of the pieces and I bought the catalogue which I'm enjoying reading.

From the Circus Series, wire drawing by Alexander Calder
Image from: www.wireartsculpure.altervista.org

My sketches from the exhibition

My sketches from the exhibition

My sketches from the exhibition

I was particularly inspired by his early wire portraits, literally drawings with wire. Because they have a 3D element the way they are lit can radically alter them, with the shadows becoming as important as the drawings, something which I have a keen interest in with my own work. I also like the sparseness, as I often work with continuous line and in a quick and sparse way myself I saw in these wire portraits another way to develop my own drawing.

Thread wrapped twig and feather mobile

Thread wrapped twig and feather mobile (detail)

I also especially like some of Calder's later 'mobile' sculptures. Although not all necessarily based on natural forms I read a lot of them as natural forms and it sparked off all sorts of ideas in my mind. This week I finally got round to putting some of the ideas about mobiles and making into action, experimenting with feathers and twigs. This has really got my creative juices flowing and I'm hoping to explore these ideas further.

Two Sides to Every Story...
Twig, thread and feathers. May 2016

Two Sides to Every Story...(detail)
Twig, thread and feathers. May 2016

March was a busy month and April even more so so whilst we were away I thought I'd be amazingly efficient and use our trip as a chance to prep for one of my workshops. I was due to run a folded sketchbook workshop (which sadly got cancelled) so for one of my samples I thought I'd make an envelope sketchbook about our trip. I used leaflets and tickets and bits and pieces collected on the trip which I collaged together to make custom envelopes which I then joined together to make a little book. I love making these books, they are a good way of using up all the stuff I have collected as well as acting as little mementoes of visits.

Plants from the rooftop garden

Plants from the rooftop garden

Plants from the rooftop garden

Although I really enjoyed our visit it confirmed my belief that I really don't want to live in a big city any more. Too many people and not enough greenery for me, which not so many years ago is not something I thought I would ever say. Whilst I do miss the amazing and easy access to art and culture that big cities offer I now find I prefer the access to the natural world and the peace and space that living in a more rural county offers. Luckily, because I live in the modern world with planes, trains and automobiles I'm able to take advantage of both!

Monday, 22 August 2011

Birdy Brooch

Birdy Brooch

Detail

Just a couple of pictures of a little brooch I made yesterday. He's made of felt and feathers and is lightly stuffed and embellished with various stitches.