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Showing posts with label collage. Show all posts
Showing posts with label collage. Show all posts

Sunday, 7 January 2018

Creative Beginings


The Dark and the Light, 2018

As in previous years (see here and here) I decided to start the year creatively by making a postcard for Surface Gallery's annual International Postcard Show.  I really like this project at the start of the year as it's small and achievable so I can begin the year with that cathartic sense of having finished something!

The Dark and the Light, 2018
Detail

Last years postcard
ended being a bit of a turning point for me, it gave me the confidence to pursue a way of making I'd been dabbling with and have ended up developing a lot over the last year. It's also one of the first pieces I felt confident enough to write about more openly in terms of meaning rather than just techniques.

Feather, 2018

This years postcards continue my feather drawing explorations and use of collage. I've been doing a lot of drawing on tracing paper as I like to exploit the transparent qualities and both postcards feature feathers drawn on tracing paper, one of which I've used 'wrong' side up. For the collage I've used some of my handmade paper as well as bits of gold paper and my handmade silk paper.

Feather, 2018
Detail

The first postcard is called 'The Dark and the Light' and reflects my interest in contrasts and dichotomies. There are two sides to every story so they say and it's good to know both sides before making any judgements or decisions. The second postcard is simply titled 'Feather' and features a single feather embellished with hand embroidery. I'm a bit sad we've left 2017 and moved into 2018 because the number 7 is a heck of a lot easier to stitch than an eight. And on that philosophical bombshell I shall leave you, until next time...

Stitched signature

Wednesday, 1 November 2017

Time to Play

My Stitched Collage Box from a workshop with Anne Brooke

As usual I've been busy with all sorts of different projects including workshops, an exhibition and a new and expanded role at Prism Arts. All this activity has left me feeling stretched a little thin and in need of a bit of a pick me up. Like many creative people it can be difficult to find the balance between your personal practice, the work you really want to do and the work that pays the bills (not to mention having time for a personal life.) I like the variety of my work and enjoy all the different aspects but inevitably there are times when the balance swings too far in one direction and this can be quite stressful.

Anne demonstrating and a selection of her boxes

Making the basic net for the box

Stitching the net together

Because I've had so many deadlines recently it's felt a bit stressful and like I didn't have much freedom in my work, I've had to work on particular projects in order to meet these deadlines even if it wasn't what I really wanted to be working on at that point. This isn't necessarily a bad thing, I find a deadline helps focus the mind and can make me more productive but sometimes it can be a bit too much. Hopefully I'm now entering a slightly quieter period so can focus a bit more on what I want to do rather than what I have to do.

Cutting and sticking

Cutting and stitcking

Stitching

This also means a bit of time to play. Artists in particular often talk about play and it can seem like an unimportant, frivolous activity but actually play is really important. Children learn the skills they'll need in later life through playing; as adults we tend to neglect this side of our lives but it's important to keep playing as it helps you to keep learning. Of course the type of play changes, now play for me means trying different techniques and ideas in my art rather than hanging off the monkey bars (not that I was ever very good at that!)

Stitching

Main box and lining ready to be joined

A really good way to make sure you get your creative 'playtime' is to go on a workshop. One of the reasons I enjoy being part of my local branch of the Embroiderers Guild is that it gives me the opportunity to take part in lots of different workshops with lots of different tutors. I try to do as many of the workshops as I can because you never know what you'll learn and it's good to challenge yourself to try something different. It's also a good way to pick up teaching tips for when I'm running my own workshops! I've been programme secretary for the past two years at the branch which has given me a chance to book some really interesting and exciting workshops.

My box (front)

My box (top)

My box (side)

For our October workshop I'd booked Anne Brooke, a very talented textile artist based in West Yorkshire, to run her 'Stitched Collage Boxes' workshop for us. I was really looking forward to the workshop and it was even better than I expected. I thoroughly enjoyed the day, a chance to try something a bit different without the pressure of making a piece for anything in particular; just for fun. I felt so relaxed making my box, Anne is a really good tutor and shared lots of hints and tips but also left plenty of room for us to do things our own way. Everyone's piece is different, reflecting our own tastes and interests.

My box (side)

My box (side)

My box (open)

One of my favourite things about this workshop was that involved several of my favourite activities; first one being cutting and sticking. I love collage and really enjoyed playing around with different materials and layouts before moving on to another of my favourite activities; stitching. I also enjoyed the challenge of thinking about how a flat piece would look when it was made up into a 3D piece. I'm really pleased with my finished box and it's given me some new ideas of things to try as well as being a very enjoyable activity in itself. After my playtime I feel enthused and excited about getting back into my studio and creating new work.

All the boxes made on the workshop, ready to be finished

Sunday, 28 February 2016

Fabulous Frottage and Beautiful Birds

This post was written late last year, I was hoping to get some pictures of the finished display but haven't been able to yet and I want to move this out of my 'drafts' list!

Beautiful collaged birds

It's always nice to be asked back to places and so I was very pleased when Stoneraise School contacted me to ask if I would come and work with them again. Last year I did a felt making session with some of Key Stage 1 which was a lot of fun. This year I was asked if I could work with all the KS1 children to create a display in the school. I worked with Years 1 and 2 in the morning and Reception in the afternoon. The difference between the two groups was very noticeable, although both groups produced some fabulous work the level of concentration and dexterity was quite marked.

Experimenting with frottage

Experimenting with frottage

Experimenting with frottage

After some thinking and plotting I decided that a display of birds would be good, probably largely influenced by my own obsession! I wanted to give the children the chance to experiment with media and techniques in ways they maybe wouldn't usually and I wanted to produce a project that all the students could participate in and create something they would be proud of. This lead me to create quite a simple frottage and collage project that would allow the children to explore colour and texture using familiar materials in a different way. Using basic materials (sugar paper, card and wax crayons) the aim was to create an exciting display the children would enjoy making.

Creating feathers from our frottage

Creating feathers from our frottage

Creating feathers from our frottage

In an ideal world where budgets are not so tight I would have liked to work with the children to create their own drawings of birds to collage but as time and resources were limited I decided to create a couple of bird templates for the children to use. The first step was to look at texture, I introduced the students to the idea of creating texture on paper using frottage and set them off to explore their classroom and find different surfaces to take rubbings from. I asked the children to create at least two sugar paper sheets full of rubbings and to think about what colour crayon to use on their chosen colour of paper. After some initial hesitation the class was soon full of children taking rubbings from every available surface and proudly sharing their findings.

Collaging the feathers on

Collaging the feathers on

Collaging the feathers on

The next part of the project involved making a bit of a mess and so was one of my favourite bits! I asked the students to rip their pieces of frottaged paper into small pieces to make feathers for their birds. For some of the children this was really difficult. They didn't, understandably, want to destroy what they'd spent time and energy making. With a bit of reassurance and encouragement, however, all the children created a pile of 'feathers' ready for the next stage.


Collaging the feathers on

Collaging the feathers on

Having created the 'feathers' for their birds I next asked them to choose a template, I'd prepared a sitting bird and a flying bird expecting that  most of them would go for the flying bird. I was surprised how many went for the sitting bird but pleased as I thought it would help balance the finished display. I then demonstrated how we could use our bits of paper to build up layers of feathers, just like on a real bird, and set them to work covering their templates.

My samples

Sitting bird sample

For almost all my workshops I make and show samples and usually demonstrate as I go along, I've found it to be really helpful as often it is a lot easier to understand something if you can see it and hopefully participants find it quite inspiring.  Some practitioners prefer not to prepare examples as they do not want to overly influence the work of their participants and in certain settings I think this is a wise approach. However, I find in most cases participants respond better if they have something tangible as an example of what they might be aiming for and I find that with the right support and encouragement 'copying' is fairly limited.

Finished birds from the morning

Finished birds from the morning

Finished birds from the morning

Finished birds from the morning

Having covered their birds with their paper feathers I then unleashed the wiggly eyes and dyed feathers for the children to finish off their birds with. I was so impressed with some of the finished birds and the concentration and effort some of the children put in was great to see. I always think it's a good sign when they all ask if they can take their work them home with them!

Finished birds from the afternoon

Finished birds from the afternoon

Another aspect of working in schools that I'm starting to develop more and more is giving the students the chance to see how being an artist works 'in real life.' I explained a little bit about my work both in terms of running workshops and the work I produce and it was a nice ego boost that when I went back into Years 1 and 2 to say goodbye at the end of the day they were looking at my website and talking about my work. There was also a very funny discussion with reception about whether I was a dead artist, like Van Gogh who they'd been studying, or an alive artist. Thank fully they did eventually decide I was alive! I really enjoyed this project, the staff were all very supportive and the children very enthusiastic so the day flew by (pun fully intended) and I think the finished work is a great reflection of the hard work that the students put in.

Sunday, 5 July 2015

Seven Stories: St. Bede's School #4 Bookmaking

A stack of books and collagraph plates

Another instalment in my series of posts about Prism Arts/Cumbria Library service Seven Stories project...

Working into our book pages

Working into our book pages

Working into our book pages

Having finished all the flags for our installation I wanted to spend my last session with the class working on something they could take home. Throughout the project they've been asking if they can keep the work we've done even though they're excited about it going into the library so for a while I'd been thinking about what we could do. As we have been working on this project the children have generated a lot of supporting material, such as designs, collages and practice prints. So, I thought that making a book would be a good way of collecting all the work they've done together and giving them something they can take home and show to their family and friends. As the project is a collaboration with the library and the classes starting point was a 700 year old book in Carlisle Library there is also a nice link there too.

Taking rubbings from a collagraph plate

Working into a rubbing

Working into our book pages

As I'd hoped the session provided a good opportunity to look back over all the things we'd tried over the project and it was great to hear what they'd enjoyed and what they'd found difficult. Unfortunately the class teacher was off work but in a way this was good as it gave the pupils the opportunity to tell a different member of staff what they'd done and how. I think they were quite surprised with how much work they's actually done! As well as the collagraph prints we had collages, designs, felt samples and stencilled prints.

A medium sized dragon

A selection of pages

During the day I encouraged the pupils to work back into their pages, particularly the collagraph prints. We used pastels, watercolour pencils and coloured pencils to add colour to the prints and did some rubbings from the collagraph plates as well. Some of the pupils even made extra pages, developing the designs and ideas we'd worked on previously. I also asked them to write a little bit about the pages, what they did, how and why. Some of the pupils really got into this side of things and others not so much! Some of the books even feature glossaries, contents pages and acknowledgements. I find it very rewarding when I take an idea in and the students really run with it, developing and expanding on it.

A finished book

Finished books

A collaged page

For the construction of the books I wanted to keep it simple because I was working with the whole class so I hole-punched all the pages and got the students to choose a ribbon to thread the pages together with. By the end of the day everyone had a finished book; a record of what they'd learnt and something to show to others. I think they were pleased as they kept asking to take them home, I said they had to wait until the end of term!

Book pages

A finished book

A design page with  written explanation

I've really enjoyed working with this class and I will miss my Wednesday's with them. I was really touched as throughout the day the students kept bringing me little drawings they's done for me. Because the project is a long running one we've been able to get to know each other well and developed good relationships, this has allowed the pupils to improve not only their practical skills but their self belief as well. I've seen their skills and confidence grow and it is a really satisfying thing to know that I've been part of that. It will be great to see the work up in the library in November. Which reminds me, I had better finishing sewing all the flags together...

Page with felt sample...

...and description